by Ann Patchett ‧ RELEASE DATE: May 14, 2004
A tough and loving tribute, hard to put down, impossible to forget.
In her first nonfiction, novelist Patchett (Bel Canto, 2001, etc.) paints a deeply moving portrait of friendship between two talented writers, illuminating the bond between herself and poet Lucy Grealy.
Although they were undergraduates together at Sarah Lawrence, it was not until 1981, when both were teaching and writing at the Iowa Writers’ Workshop, that the young women’s lives collided. As Patchett recounts it, the tiny Grealy (Autobiography of a Face, 1994) leaped into her arms. “It was not so much a greeting as it was a claim: she was staking out this spot on my chest and I was to hold her for as long as she wanted to stay.” That image persists in their 20-year friendship; Grealy had a powerful hold on her many friends, Patchett included. A survivor of childhood cancer with a badly disfigured face and a frail body, Grealy struggled with enormous physical difficulties, bouts of depression, and money problems; she was also given to reckless sexual adventures. Early in their friendship, Patchett decided that she would not spend her time worrying about her friend; instead, she would show her love in actions. And she did so for the rest of Grealy’s short life, providing shelter, paying bills, giving post-surgery care, cleaning up the messes. After Iowa, their lives took different paths, but their friendship remained strong. Patchett saved Grealy’s letters to her and includes generous excerpts that make it easier to understand her commitment to her demanding friend. The letters reveal Grealy’s warmth, her captivating intellect, her poet’s eye. After her last round of surgery failed, she went from prescription painkillers to street heroin, and her life spiraled downward, but even when Grealy was most devastated and difficult, Patchett still found her the person she knew best and was most comfortable with, the friend like no other to whom she could speak with “complexity and nuance.”
A tough and loving tribute, hard to put down, impossible to forget.Pub Date: May 14, 2004
ISBN: 0-06-057214-0
Page Count: 272
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2004
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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