Ned, a fictional boy, meets Thomas Jefferson, who’s staying at his mother’s boardinghouse while he’s writing the Declaration of Independence. The focus here is a snapshot of a specific place, time, and historic moment—not the life of Jefferson. As in Drummer Boy (1998), Turner has successfully melded fact and fiction in a story that enlivens history for young readers by narrating it through a young boy’s eyes. The opening sentence, “What did I know of freedom, of all the wild talk of independence that summer of 1776,” expresses Ned’s point of view and establishes context. The spare text and large type offer simplicity while the realistic, detailed illustrations provide a stereoptic peek into the time. The dialogue seems natural and the visual perspectives build dramatic tension. A perceptive, accessible tribute to freedom. (historical note, sources) (Picture book/historical fiction. 6-9)
Pub Date: Jan. 1, 2004
ISBN: 0-06-027579-0
Page Count: 32
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2003
Innocuous adventuring on the smallest of scales.
The Mouse and the Motorcycle (1965) upgrades to The Mice and the Rolls-Royce.
In Windsor Castle there sits a “dollhouse like no other,” replete with working plumbing, electricity, and even a full library of real, tiny books. Called Queen Mary’s Dollhouse, it also plays host to the Whiskers family, a clan of mice that has maintained the house for generations. Henry Whiskers and his cousin Jeremy get up to the usual high jinks young mice get up to, but when Henry’s little sister Isabel goes missing at the same time that the humans decide to clean the house up, the usually bookish big brother goes on the adventure of his life. Now Henry is driving cars, avoiding cats, escaping rats, and all before the upcoming mouse Masquerade. Like an extended version of Beatrix Potter’s The Tale of Two Bad Mice (1904), Priebe keeps this short chapter book constantly moving, with Duncan’s peppy art a cute capper. Oddly, the dollhouse itself plays only the smallest of roles in this story, and no factual information on the real Queen Mary’s Dolls’ House is included at the tale’s end (an opportunity lost).
Innocuous adventuring on the smallest of scales. (Fantasy. 6-8)Pub Date: Jan. 3, 2017
ISBN: 978-1-4814-6575-5
Page Count: 144
Publisher: Aladdin
Review Posted Online: Sept. 18, 2016
Kirkus Reviews Issue: Oct. 1, 2016
Mary, Remember, and Bartholomew Allerton were among the youngest on the Mayflower's first voyage; the words here tell how, with the other newcomers, they suffer tremendous losses but gradually come to view Plymouth as home. Meanwhile, the author's paintings expand considerably on the text with a fanciful map of the journey, a cutaway view of the ship, and crowd scenes of planting, harvest, and thanksgiving. The children, introduced in the first paragraph, don't appear in the illustrations, and are not the focus of any picture, until well into the book. The ongoing disparity between text and art is unsettling; moreover, the text is often clumsy: After the death of Mary—last of the original group—the narrative leaps back to a confusing, incomplete explanation of the Pilgrims' origins. The panoramic watercolors are attractive, with expertly composed, cinematic scenes, but the text, pursuing its separate agenda, regrettably never catches up. (Picture book. 6-9)
Pub Date: Sept. 30, 1992
ISBN: 0-02-742643-2
Page Count: 40
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1992
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