Budding historians as well as those unfamiliar with history will both enjoy this pleasant, fast-moving selection.
The British are coming—again!
When lowly clerk Stephen Pleasonton receives a note from his boss, Secretary of State James Monroe, everything changes. It’s 1812, and Washington, D.C., is at risk from the British—even though the U.S. military doesn’t seem to think so—and Pleasonton has been instructed to “remove the records,” meaning that he should save the original documents that helped the United States develop as a nation. Exaggerated but appealing illustrations show the sequence of events while descriptive, action-filled text narrates the tale. Fotheringham’s drawings have the look of old-time editorial cartoons, and the text pops with strategically placed emphases. While the story itself may be a mere footnote to history, it inadvertently reveals how the world has changed (paper documents and records being much less the norm today) and seeks to convey the awe many feel in regard to primary sources and artifacts. A reminder of a more innocent age when patriotism was taken for granted, this rollicking tale gives a nice sense of the time period. It also emphasizes how the actions of a less-than-famous but determined individual can have great effect and demonstrates that each person’s role in history—even one that focuses on packing up government files and papers—is important.
Budding historians as well as those unfamiliar with history will both enjoy this pleasant, fast-moving selection. (endnotes, timeline, bibliography) (Informational picture book. 5-10)Pub Date: April 14, 2020
ISBN: 978-0-06-274032-8
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: Dec. 17, 2019
Kirkus Reviews Issue: Jan. 15, 2020
A unique angle on a watershed moment in the civil rights era.
The New Orleans school child who famously broke the color line in 1960 while surrounded by federal marshals describes the early days of her experience from a 6-year-old’s perspective.
Bridges told her tale to younger children in 2009’s Ruby Bridges Goes to School, but here the sensibility is more personal, and the sometimes-shocking historical photos have been replaced by uplifting painted scenes. “I didn’t find out what being ‘the first’ really meant until the day I arrived at this new school,” she writes. Unfrightened by the crowd of “screaming white people” that greets her at the school’s door (she thinks it’s like Mardi Gras) but surprised to find herself the only child in her classroom, and even the entire building, she gradually realizes the significance of her act as (in Smith’s illustration) she compares a small personal photo to the all-White class photos posted on a bulletin board and sees the difference. As she reflects on her new understanding, symbolic scenes first depict other dark-skinned children marching into classes in her wake to friendly greetings from lighter-skinned classmates (“School is just school,” she sensibly concludes, “and kids are just kids”) and finally an image of the bright-eyed icon posed next to a soaring bridge of reconciliation. (This book was reviewed digitally.)
A unique angle on a watershed moment in the civil rights era. (author and illustrator notes, glossary) (Autobiographical picture book. 6-8)Pub Date: Sept. 6, 2022
ISBN: 978-1-338-75388-2
Page Count: 48
Publisher: Orchard/Scholastic
Review Posted Online: June 21, 2022
Kirkus Reviews Issue: July 15, 2022
PERSPECTIVES
Blandly inspirational fare made to evoke equally shrink-wrapped responses.
An NBA star pays tribute to the influence of his grandfather.
In the same vein as his Long Shot (2009), illustrated by Frank Morrison, this latest from Paul prioritizes values and character: “My granddad Papa Chilly had dreams that came true,” he writes, “so maybe if I listen and watch him, / mine will too.” So it is that the wide-eyed Black child in the simply drawn illustrations rises early to get to the playground hoops before anyone else, watches his elder working hard and respecting others, hears him cheering along with the rest of the family from the stands during games, and recalls in a prose afterword that his grandfather wasn’t one to lecture but taught by example. Paul mentions in both the text and the backmatter that Papa Chilly was the first African American to own a service station in North Carolina (his presumed dream) but not that he was killed in a robbery, which has the effect of keeping the overall tone positive and the instructional content one-dimensional. Figures in the pictures are mostly dark-skinned. (This book was reviewed digitally.)
Blandly inspirational fare made to evoke equally shrink-wrapped responses. (Picture book. 6-8)Pub Date: Jan. 10, 2023
ISBN: 978-1-250-81003-8
Page Count: 32
Publisher: Roaring Brook Press
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
BOOK REVIEW
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