Read aloud or explored independently, this original fairy tale will whet the appetite for more Swedish imports.
A timely fairy-tale adventure about one child’s quest to defeat a giant.
On a tiny island, a child and her knight father live in isolation. Then the knight leaves to fight a dangerous giant terrorizing the land by turning people into stone. Days pass, but the knight never returns. Finally, the girl embarks on her own journey to save her father with nothing more than a red dress, knife, mirror, and umbrella. Höglund, a contemporary Swedish children’s-book creator, points to a story by legendary author/illustrator Elsa Beskow as this book’s inspiration. Translated from Swedish, the third-person text, always printed on verso and surrounded by generous white space, is brief yet specific, prompting ponderous pauses throughout. True to fairy-tale tradition, everyday objects possess the key to salvation. However, in a contemporary twist, it is not an adult or knight in shining armor but the child who does the rescuing, not through beauty or kindness but with fortitude and determination. With the exception of a few double-page spreads, illustrations appear opposite text on recto. Employing precise copper-plate etching overlaid with nearly monochromatic watercolor washes, they create a desolate, shadowy world. This constant feeling of danger underscores the girl’s worry and subsequent bravery in the face of the unknown. The cloth binding and stamped lettering make this small, rectangular volume feel special.
Read aloud or explored independently, this original fairy tale will whet the appetite for more Swedish imports. (Picture book. 4-9)Pub Date: April 7, 2020
ISBN: 978-1-776572-73-1
Page Count: 44
Publisher: Gecko Press
Review Posted Online: Jan. 20, 2020
Kirkus Reviews Issue: Feb. 15, 2020
BOOK REVIEW
Only for dedicated fans of the series.
When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.
“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.
Only for dedicated fans of the series. (Picture book. 5-8)Pub Date: Sept. 1, 2017
ISBN: 978-1-4926-4894-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Menacing and most likely to appeal to established fans of its co-creators.
Existing artwork from an artistic giant inspires a fairy-tale reimagination by a master of the horror genre.
In King’s interpretation of a classic Brothers Grimm story, which accompanies set and costume designs that the late Sendak created for a 1997 production of Engelbert Humperdinck’s opera, siblings Hansel and Gretel survive abandonment in the woods and an evil witch’s plot to gobble them up before finding their “happily ever after” alongside their father. Prose with the reassuring cadence of an old-timey tale, paired with Sendak’s instantly recognizable artwork, will lull readers before capitalizing on these creators’ knack for injecting darkness into seemingly safe spaces. Gaping faces loom in crevices of rocks and trees, and a gloomy palette of muted greens and ocher amplify the story’s foreboding tone, while King never sugarcoats the peach-skinned children’s peril. Branches with “clutching fingers” hide “the awful enchanted house” of a “child-stealing witch,” all portrayed in an eclectic mix of spot and full-bleed images. Featuring insults that might strike some as harsh (“idiot,” “fool”), the lengthy, dense text may try young readers’ patience, and the often overwhelmingly ominous mood feels more pitched to adults—particularly those familiar with King and Sendak—but an introduction acknowledges grandparents as a likely audience, and nostalgia may prompt leniency over an occasional disconnect between words and art.
Menacing and most likely to appeal to established fans of its co-creators. (Picture book. 4-8)Pub Date: Sept. 2, 2025
ISBN: 9780062644695
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 15, 2025
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