A haunting and understated exploration of identity and memory, by the Austrian-American academic (English/Univ. of Innsbruck, Hebrew University) whose previous works (Jakob, 1991, etc.) have won numerous awards in Germany. Devorah, a young Austrian in Jerusalem, is in search of some key to her past. Raised in America in a family of Catholic ÇmigrÇs, she's learned that her grandmother left Vienna in 1941 not simply because she was anti-Nazi, but because she was a Jew. In Israel, Devorah hopes to find out the truth behind her family's fictions, and as she makes inquiries among friends and relations about the circumstances of her family's wanderings, she begins to lose sight of her own place in the world: ``Uncertainty, secrets, and death- -these were the qualities of my childhood. And silence.'' The silence of Devorah's past becomes infused with the confusions of her present, however, when she falls in love with Sivan, a young Arab whom she meets in the Old Town. An Armenian Christian, Sivan is intense, brooding, and far too enigmatic for any woman's good. Devorah's friends warn her that he may be a Palestinian, as well as a terrorist, and Sivan's own frequent and unexplained disappearances do nothing to allay Devorah's fears. When a bus is blown up in the Old Town and dozens of bystanders are killed under circumstances that implicate not only Sivan but (unwittingly) Devorah herself, her fears intensify—but so, inexplicably, does her obsession. Within the private drama of Devorah's own uncertainty about herself and her real identity, Sivan provides a vivid and excruciating reminder that she's straddling a fence between two very different and hostile worlds. The resolution she settles on is no less painful or poignant—or credible—for being inevitable. Powerful, moving, and deft: Mitgutsch makes good use of the private meanings reflected in public events, and understands that the distinctions between them are as arbitrary and tenuous as any boundary drawn in the desert.
Pub Date: Sept. 1, 1997
ISBN: 0-8050-4174-5
Page Count: 256
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1997
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
There are unforgettable beauties in this very sexy story.
Passion, friendship, heartbreak, and forgiveness ring true in Lovering's debut, the tale of a young woman's obsession with a man who's "good at being charming."
Long Island native Lucy Albright, starts her freshman year at Baird College in Southern California, intending to study English and journalism and become a travel writer. Stephen DeMarco, an upperclassman, is a political science major who plans to become a lawyer. Soon after they meet, Lucy tells Stephen an intensely personal story about the Unforgivable Thing, a betrayal that turned Lucy against her mother. Stephen pretends to listen to Lucy's painful disclosure, but all his thoughts are about her exposed black bra strap and her nipples pressing against her thin cotton T-shirt. It doesn't take Lucy long to realize Stephen's a "manipulative jerk" and she is "beyond pathetic" in her desire for him, but their lives are now intertwined. Their story takes seven years to unfold, but it's a fast-paced ride through hookups, breakups, and infidelities fueled by alcohol and cocaine and with oodles of sizzling sexual tension. "Lucy was an itch, a song stuck in your head or a movie you need to rewatch or a food you suddenly crave," Stephen says in one of his point-of-view chapters, which alternate with Lucy's. The ending is perfect, as Lucy figures out the dark secret Stephen has kept hidden and learns the difference between lustful addiction and mature love.
There are unforgettable beauties in this very sexy story.Pub Date: June 12, 2018
ISBN: 978-1-5011-6964-9
Page Count: 352
Publisher: Atria
Review Posted Online: March 19, 2018
Kirkus Reviews Issue: April 1, 2018
BOOK REVIEW
BOOK REVIEW
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