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NANAVILLE

ADVENTURES IN GRANDPARENTING

A warmhearted memoir sure to appeal to other new grandmothers—and Quindlen’s many fans.

A first-time grandmother discovers joy and self-knowledge in her new role.

Pulitzer Prize–winning novelist, columnist, and memoirist Quindlen (Alternate Side, 2018, etc.) celebrates the gift of being a grandmother: a new experience, she writes, that gives her “a second chance, to see, to be, to understand the world, to look at it and reimagine my place in it, to feel as though I’ve made a mark.” Besides reporting sweet anecdotes about her toddler grandson, the author reflects on her changing relationship with her son and daughter-in-law, an inevitable shift from being central in the lives of her children to a “peripheral place” in a new family dynamic. Her son, she has observed with pride, has become an exemplary parent; when she asked “what surprised him most about being a father,” he replied, “I guess it’s how much I love him in a way that I’ve never loved anyone before.” For Quindlen, that reply was “like sunrise and sunset and New Year’s Eve all at once.” Admitting that she can be opinionated, she has learned to hold her tongue when it comes to parenting decisions. “Nana judgment must be employed judiciously, and exercised carefully,” she warns. “Those who make their opinions sound like the Ten Commandments see their grandchildren only on major holidays and in photographs.” The author was 64 when her grandson was born; her grandmother was 47 when she had her first grandchild, yet grandparents seemed so much older then: “Our grandmothers were pre-gym, pre-Botox, pre–skinny jeans.” They never kissed, hugged, or praised; they would never have gotten down on the floor to play with their dozens of grandchildren, but Quindlen was certain of their love. “I thought,” she writes, “they were the patriarchs, the source of all judgment and wisdom.” The author imparts sensible advice with self-deprecating humor and sincere gratitude for the bounty of her life.

A warmhearted memoir sure to appeal to other new grandmothers—and Quindlen’s many fans.

Pub Date: April 23, 2019

ISBN: 978-0-8129-9610-4

Page Count: 176

Publisher: Random House

Review Posted Online: Feb. 2, 2019

Kirkus Reviews Issue: Feb. 15, 2019

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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