by Anna Quindlen ‧ RELEASE DATE: April 1, 1993
In her second collection of New York Times pieces, Quindlen (Object Lessons, 1991, etc.) lets loose with her trademark intelligence, fervor, and personal focus on topics ranging from the Gulf War through absent fathers to the controversy over abortion. ``But is it really necessary for you to wear your gender on your sleeve?,'' an eager young journalist once asked the author. Citing her role model, editorialist Dorothy Thompson (who when told she had ``the brains of a man'' insisted she was ``altogether female''), Quindlen reiterates her belief that she owes it to herself, to the female reporters who broke ground for her generation at the Times, and to her readers to comment on world events from her underrepresented and valuable female viewpoint. Writing with greater maturity and depth than in her ``Life in the 30s'' column (Living Out Loud, 1988), she confidently proceeds to filter the abortion issue through her own experience as a Catholic mother of three; consider euthanasia from the perspective of a dying man's wife; observe her daughter's second birthday while considering that women as a whole still earn less than men; mull over the premature revelation of Arthur Ashe's case of AIDS from the point of view of a seasoned reporter; and lambast the Times, as a journalist and a woman, for revealing the name of the alleged rape victim in the William Kennedy Smith trial. Whimsical moments appear sporadically (Quindlen predicts the next movie blockbuster, Mom Alone), but rage surfaces more frequently from this woman writing in what she—perhaps optimistically—calls ``a world in which we can wear our gender on our sleeves.'' ``I'd love to run your column, but we already run Ellen Goodman,'' one newspaper editor candidly told Quindlen. Until the quota increases past one, here's a way for more readers to fall in love with at least one woman's very personal brand of passion.
Pub Date: April 1, 1993
ISBN: 0-679-40711-1
Page Count: 304
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1993
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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