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THE BOY, THE TROLL, AND THE CHALK

A glowing reminder that patience, creativity, and kindness can quiet even the meanest of trolls.

Creating art becomes an act of inclusion and friendship.

In a cave near a playground lives a “big fierce troll.” Children keep their distance—except for a pale-skinned, redheaded boy who asks the troll to come out. When the troll rebuffs his invitation, he tries another tactic. Gathering chalk, the boy draws incomplete pictures, including a flower with a missing petal and a tailless dog—tacit encouragement for the troll to participate. The artistic breadcrumbs pay off, and the troll is coaxed out of the cave but still remains gruff. In a last-ditch attempt at friendship, the boy draws himself with his hand extended. The next day he returns to find an image of himself hand in hand with a “big scary troll.” “But you’re not a troll,” he says. “You’re a boy—just like me.” He redraws the troll, depicting a smiling, brown-haired, pale-skinned youngster. Now that the troll’s true self has been revealed, the two begin to draw and are soon joined by other kids, all varying in skin tone. Litchfield’s illustrations are luminous, colorful, and tremendously appealing. More literal readers may be confused about the boy/troll in the cave: Does he live there? Is he just in a bad mood? But there’s comfort to be found in the message of seeing and being seen, of showing up, and the inclusive power of art.

A glowing reminder that patience, creativity, and kindness can quiet even the meanest of trolls. (Picture book. 3-8)

Pub Date: Oct. 28, 2025

ISBN: 9781536243970

Page Count: 40

Publisher: Templar/Candlewick

Review Posted Online: May 30, 2025

Kirkus Reviews Issue: July 1, 2025

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CARPENTER'S HELPER

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.

A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.

Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)

Pub Date: March 16, 2021

ISBN: 978-0-593-12320-1

Page Count: 40

Publisher: Schwartz & Wade/Random

Review Posted Online: Jan. 12, 2021

Kirkus Reviews Issue: Feb. 1, 2021

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THE LITTLE GHOST WHO WAS A QUILT

From the Little Ghost Quilt Book series

Halloween is used merely as a backdrop; better holiday titles for young readers are available.

A ghost learns to appreciate his differences.

The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)

Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)

Pub Date: Sept. 1, 2020

ISBN: 978-0-7352-6447-2

Page Count: 48

Publisher: Tundra Books

Review Posted Online: July 13, 2020

Kirkus Reviews Issue: Aug. 1, 2020

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