Fans of uncomplicated, familycentric stories won’t be disappointed.
The adventures of Arturo continue (Arturo and the Navidad Birds, 2013) as he and his grandmother prepare a Salvadoran-style welcome-to-the-family dinner for Tía Inés’ fiance, Michael.
The interaction between Abue Rosa and her young grandson is comfortable and loving as they go about preparing pupusas, stuffed, tortillalike fried corn cakes. Together, they settle on a pickled slaw called curtido, fried plantains, chocolate almond cake, and fruit salad for the menu. Abue sets aside the hot pupusas, complaining of a headache. Instead of taking aspirin and plowing on, she welcomes Arturo’s invitation to lie down for a nap: “Why don’t you rest, Abue?” “Gracias, m’ijo. I will,” she says. “Call me in a few minutes and I will finish cooking.” Adding this smidgen of tension to an otherwise lightweight feel-good tale appears to be this subplot’s sole purpose. And it strains credulity. No nana worth her salt is going to let a headache get in her way when only the pupusas are ready—the curtido alone needs to rest in the fridge a minimum of two hours according to the appended recipe. Needless to say, Arturo’s ingenuity saves the day. He hastily assembles kid-friendly substitutions to the happy amazement of all. Lewis’ warm palette cocoons the characters in manifest familial love. In addition to the recipes and an author’s note, a glossary featuring many Anglicized phonetic pronunciations—“OB-way” for Abue instead of “Ah-bweh”—is included.
Fans of uncomplicated, familycentric stories won’t be disappointed. (Bilingual picture book. 4-7)Pub Date: Oct. 16, 2017
ISBN: 978-1-4556-2283-2
Page Count: 32
Publisher: Pelican
Review Posted Online: July 1, 2017
Kirkus Reviews Issue: July 15, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
BOOK REVIEW
BOOK REVIEW
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
SEEN & HEARD
SEEN & HEARD
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