by Anne Graham Lotz & illustrated by Laura J. Bryant ‧ RELEASE DATE: Sept. 1, 2011
The unnamed girl narrates the story, noting their sadness at their grandma’s death and searching for answers by reading the...
A little girl and her younger brother learn to accept their grandmother’s death in this rhyming story that explains the concepts of God, Jesus and Heaven in simplified terms for younger children.
The unnamed girl narrates the story, noting their sadness at their grandma’s death and searching for answers by reading the Bible to her brother. She reads from the Book of John, paraphrasing the familiar text that promises that “there are many mansions in my Father’s house.” The realistic setting of the two children in the boy’s bedroom segues into an interpretation of Heaven as a magical, fanciful place filled with smiling children and dancing animals. The sweet, sometimes sing-song verse describes Heaven as a place where no one is old or sick and where children can safely swim with sharks or fly with eagles. Bryant’s cheerful watercolor illustrations imagine Heaven as a sort of pleasant amusement park with Jesus as the headmaster and where children ride on the backs of flying sheep and climb trees with pigs and frogs. The final pages present a conservative Christian philosophy of confession and acceptance of Jesus as one’s personal savior, with the concluding pages offering a prayer for children and the relevant verses from the Book of John. Additional materials include an explanatory letter to parents and other adults, questions for adults to use with children, Bible verse references incorporated into the text and an “RSVP to Jesus” for use by the child reader.Pub Date: Sept. 1, 2011
ISBN: 978-0-310-71601-3
Page Count: 40
Publisher: Zonderkidz
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
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by Eileen Spinelli ; illustrated by Archie Preston ‧ RELEASE DATE: Sept. 1, 2015
Low-key and gentle; a book to be thankful for.
Spinelli lists many things for which people are thankful.
The pictures tell a pleasing counterpoint to this deceptively simple rhyme. It begins “The waitress is thankful for comfortable shoes. / The local reporter, for interesting news.” The pictures show a little girl playing waitress to her brother, who playacts the reporter. The news gets interesting when the girl trips over the (omnipresent) cat. As the poem continues, the Caucasian children and their parents embody all the different roles and occupations it mentions. The poet is thankful for rhyme and the artist, for light and color, although the girl dancer is not particularly pleased with her brother’s painterly rendition of her visual art. The cozy hotel for the traveler is a tent for the siblings in the backyard, and the grateful chef is their father in the kitchen. Even the pastor (the only character mentioned who is not a family member) is grateful, as he is presented with a posy from the girl, for “God’s loving word.” The line is squiggly and energetic, with pastel color and figures that float over white space or have whole rooms or gardens to roam in. Both children, grateful for morning stories, appear in a double-page spread surrounded by books and stuffed toys as their mother reads to them—an image that begs to be a poster.
Low-key and gentle; a book to be thankful for. (Picture book. 4-7)Pub Date: Sept. 1, 2015
ISBN: 978-0-310-00088-4
Page Count: 32
Publisher: Zonderkidz
Review Posted Online: May 17, 2015
Kirkus Reviews Issue: June 15, 2015
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by Suma Subramaniam ; illustrated by Sandhya Prabhat ‧ RELEASE DATE: Oct. 11, 2022
Visually appealing but doesn’t capture the spirit of namaste.
What does it mean to say namaste?
This picture book attempts to explain this traditional, formal greeting used in South and Southeast Asia to welcome people and bid them farewell—in particular, as a way to show respect to elders. A child with dark hair, dark eyes, deep-brown skin, and a bindi on their forehead goes to a market with their caregiver and buys a potted plant to give their lonely, lighter-skinned neighbor. Vibrant, textured illustrations depict a blossoming friendship between the little one and the neighbor, while a series of statements describe what namaste means to the child. However, the disjointed text makes the concept difficult for young readers to grasp. Some statements describe namaste in its most literal sense (“Namaste is ‘I bow to you.’ " “Namaste is joining your palms together”), while others are more nebulous (“A yoga pose. A practice.” “Namaste calms your heart when things aren’t going right”). The lack of backmatter deprives readers of the cultural context and significance of this greeting as well as knowledge of the countries and cultures where it is used. Moreover, the book doesn’t convey the deep respect that this greeting communicates. The absence of culturally specific details and the framing of namaste as a concept that could apply to almost any situation ultimately obscure its meaning and use. (This book was reviewed digitally.)
Visually appealing but doesn’t capture the spirit of namaste. (Picture book. 4-6)Pub Date: Oct. 11, 2022
ISBN: 978-1-5362-1783-4
Page Count: 32
Publisher: Candlewick
Review Posted Online: Oct. 25, 2022
Kirkus Reviews Issue: Nov. 15, 2022
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