by Anne Gutman & illustrated by Georg Hallensleben ‧ RELEASE DATE: March 1, 2003
Gutman’s saucy bunny (Lisa in New York, not reviewed, etc.) contends with the imminent arrival of a new sibling. Lisa succinctly expresses her displeasure with her mother’s pregnancy. “My mom has been pregnant for a very long time, and I am tired of it. . . . She’s too fat to play on the seesaw with me. There’s a baby in her belly, and I don’t like it.” Traditional methods of soothing a recalcitrant sibling do not work with this precocious tot; Lisa is clearly unimpressed with tales of her older sister Victoria’s jealousy over Lisa’s arrival and eventual acceptance. Lisa’s staunch refusal of being involved with anything baby-related persists even after baby Lila comes home from the hospital. It is not until Lisa overhears a friend remark upon the similarities between Lila and Lisa, that she reevaluates the situation. Gutman strikes just the right balance between belligerence and vulnerability that children often experience when confronted with both the concept and reality of a new sibling. Lisa’s straight-from-the hip talk will resonate with readers, conveying to them that it’s acceptable to feel conflicted about the big change looming in their lives. Hallensleben’s heavily pigmented illustrations artfully capture the sights of urban life. Young Lisa serenely strolls past avant-garde sculptures and dines in outdoor cafes with the aplomb of a city dweller. His deft use of a colorful array of hues draws the reader’s attention. Unerringly honest and every bit hilarious, this is a zesty addition to Gutman and Hallensleben’s popular series. (Picture book. 4-8)
Pub Date: March 1, 2003
ISBN: 0-375-82251-8
Page Count: 32
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 2003
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by Gregory R. Lange ; illustrated by Sydney Hanson ‧ RELEASE DATE: May 1, 2019
New parents of daughters will eat these up and perhaps pass on the lessons learned.
All the reasons why a daughter needs a mother.
Each spread features an adorable cartoon animal parent-child pair on the recto opposite a rhyming verse: “I’ll always support you in giving your all / in every endeavor, the big and the small, / and be there to catch you in case you should fall. / I hope you believe this is true.” A virtually identical book, Why a Daughter Needs a Dad, publishes simultaneously. Both address standing up for yourself and your values, laughing to ease troubles, being thankful, valuing friendship, persevering and dreaming big, being truthful, thinking through decisions, and being open to differences, among other topics. Though the sentiments/life lessons here and in the companion title are heartfelt and important, there are much better ways to deliver them. These books are likely to go right over children’s heads and developmental levels (especially with the rather advanced vocabulary); their parents are the more likely audience, and for them, the books provide some coaching in what kids need to hear. The two books are largely interchangeable, especially since there are so few references to mom or dad, but one spread in each book reverts to stereotype: Dad balances the two-wheeler, and mom helps with clothing and hair styles. Since the books are separate, it aids in customization for many families.
New parents of daughters will eat these up and perhaps pass on the lessons learned. (Picture book. 4-8, adult)Pub Date: May 1, 2019
ISBN: 978-1-4926-6781-0
Page Count: 32
Publisher: Sourcebooks Jabberwocky
Review Posted Online: March 16, 2019
Kirkus Reviews Issue: April 1, 2019
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by Andrew Clements & illustrated by R.W. Alley ‧ RELEASE DATE: May 23, 2005
Give this child’s-eye view of a day at the beach with an attentive father high marks for coziness: “When your ball blows across the sand and into the ocean and starts to drift away, your daddy could say, Didn’t I tell you not to play too close to the waves? But he doesn’t. He wades out into the cold water. And he brings your ball back to the beach and plays roll and catch with you.” Alley depicts a moppet and her relaxed-looking dad (to all appearances a single parent) in informally drawn beach and domestic settings: playing together, snuggling up on the sofa and finally hugging each other goodnight. The third-person voice is a bit distancing, but it makes the togetherness less treacly, and Dad’s mix of love and competence is less insulting, to parents and children both, than Douglas Wood’s What Dads Can’t Do (2000), illus by Doug Cushman. (Picture book. 5-7)
Pub Date: May 23, 2005
ISBN: 0-618-00361-4
Page Count: 32
Publisher: Clarion Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2005
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by Andrew Clements ; illustrated by Brian Selznick
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