Engaging, precise baking guide that will have readers heading for the kitchen with enthusiasm and confidence.
A tasty treat of practical cookie making, historical cookie-mold information, and a wide range of recipes, all served with appetizing sides of baking history and great photographs.
Watson (Island Women Trilogy, 2015, etc.) adds to her collection of how-to books on soap and lotion making with a colorful collection of recipes, decorative cookie lore, and clear, practical advice for bakers of all levels. Starting with honest descriptions of her own failures—some cookies were “flattened into unrecognizable blobs”—she provides historical context for molded cookies of all types, along with her secret ingredient to ease the unmolding process and produce exquisite treats. Few cooks will be able to resist her enthusiastic and encouraging call to kitchen action: “You’ll have to experiment a bit, but don’t let that daunt you. Remember, when you experiment, you may not get cookies you like—but the one thing you’re sure to get is information, and that’s always helpful!” But Watson’s book has appeal outside the kitchen; she weaves in a Saint Nicholas story and a detailed cookie-making lesson with style. Also helpfully included is an FAQ section and extensive resources for purchasing molds or learning more. A “historic preservation architecture consultant” by trade, Watson is organized, thorough, and undeniably readable. Her guide is also surprisingly entertaining. While relating her first attempt at molding, she says, “Since my reason for buying the mold in the first place was the making of beautiful Saint Nicholas cookies, I was very disappointed. For all I knew, so was Saint Nicholas.” Shepard, her husband, provides dozens of clearly labeled photos for mouthwatering visual inspiration.
Engaging, precise baking guide that will have readers heading for the kitchen with enthusiasm and confidence.Pub Date: March 24, 2015
ISBN: 978-0938497646
Page Count: 222
Publisher: Shepard Publications
Review Posted Online: June 16, 2015
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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