A moving tale of survival becomes a grave and stately hymn to the revivifying qualities of language and learning in this impressive debut by a Canadian poet. The main narrator, Jakob Beer, who tells his story at age 60 in 1992, was a Polish survivor of the Holocaust who, after losing his entire family in 1939, was rescued by Antanasios Roussos, a middle-aged scholar and polymath, who took Jakob to safety and raised him on the Greek island of Zakynthos. Jakob's narrative is a rich chronicle of intellectual hungers generously satisfied, as ``Athos's tales of geologists and explorers, cartographers and navigators'' stimulate his young disciple's active imagination—an imagination also possessed by vivid memories of Jakob's dead parents and sister Bella, who appear to him as both vocal and visible presences. The pair travel to Athens, where Jakob's own insistent memories jostle against stories of that city's wartime sufferings, and thence to Toronto, where ``Athos'' has been invited to teach, and where he dies—leaving Jakob to complete his mentor's masterwork, a study of how the Nazis distorted archaeology to alter the past and ``prove'' Aryan supremacy. Jakob's life thereafter is devoted to his own writing (he is a gifted poet), to a search for love he never seems quite able to fulfill, and, centrally, to his progression from experiencing ``the power of language to destroy to omit to obliterate'' to discovering in ``poetry, the power of language to restore.'' Then, in an only partially successful shift, the novel's last third observes Jakob's later life and his legacy from the viewpoint of a younger friend and admirer, who is himself the child of Holocaust survivors and whose sensitivity to what Jakob's life signifies is aided by his own realization that ``Every moment is two moments'' (that is, the past is always present in the present). A stunning work, quite beautifully written, and a lovely homage to the imperiled yet indomitable culture and individuals it celebrates. (First printing of 35,000)
Pub Date: March 7, 1997
ISBN: 0-679-45439-X
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 1997
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
