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THE GOOD FIGHT

THE FEUDS OF THE FOUNDING FATHERS (AND HOW THEY SHAPED THE NATION)

For unflattering portraits of these well-known Founding Fathers, there are plenty of other places to look.

These four stories casting some of America’s Founding Fathers in less than a flattering light reveal that political partisanship and mudslinging have been a nasty reality since the nation’s founding.

The first story, about George Washington and George III, seems ill-suited to cast as a feud since neither personally knew the other, and the other conflicts are between family and friends. Benjamin Franklin refused to reconcile with his Loyalist son, William, even after the American Revolution. The consummate contrarian Alexander Hamilton feuded with many, most famously with Aaron Burr, who left Hamilton dead in a duel. Political differences drove John Adams and Thomas Jefferson apart for many years before they reconciled late in life. Quirk’s recounting of these episodes from American history breaks no new ground beyond bundling the stories together. Though the telling is smooth, aside from the chapter on the two Franklins, there is little new about the content. Rosalyn Schanzer’s George vs. George (2004), Don Brown’s Aaron and Alexander (2015), and Suzanne Tripp Jurmain’s Worst of Friends (illustrated by Larry Day, 2011) cover the other three “feuds” in lively picture books next to which this offering feels both superfluous and a little stodgy, despite Baddeley’s playful spot illustrations.

For unflattering portraits of these well-known Founding Fathers, there are plenty of other places to look. (source notes, bibliography) (Nonfiction. 8-12)

Pub Date: Aug. 8, 2017

ISBN: 978-1-5247-0035-5

Page Count: 128

Publisher: Knopf

Review Posted Online: April 30, 2017

Kirkus Reviews Issue: May 15, 2017

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WHAT JEWISH LOOKS LIKE

A celebration of progressive Judaism and an inclusive primer on Jews making a difference in the world.

This wide-ranging collection of short biographies highlights 36 Jewish figures from around the globe and across centuries.

Explicitly pushing back against homogenous depictions of Jewish people, the authors demonstrate the ethnic, racial, and gender diversity of Jews. Each spread includes a brief biography paired with a stylized portrait reminiscent of those in Elena Favilli and Francesca Cavallo’s Good Night Stories for Rebel Girls (2016). A pull quote or sidebar accompanies each subject; sidebars include “Highlighting Jewish Paralympic Athletes,” “Jewish Stringed Music,” and “Ethiopian Jews in Israel.” Kleinrock and Pritchard’s roster of subjects makes a compelling case for the vastness and variety of Jewish experience—from a contemporary Ethiopian American teen to a 16th-century Portuguese philanthropist—while still allowing them to acknowledge better-known figures. The entry on Raquel Montoya-Lewis, an associate justice of the Washington Supreme Court and an enrolled member of the Pueblo Isleta Indian tribe, discusses her mission to reimagine criminal justice for Indigenous people; the sidebar name-checks Ruth Bader Ginsburg and Elena Kagan. The bios are organized around themes of Jewish principles such as Pikuach Nefesh (translated from the Hebrew as “to save a life”) and Adam Yachid (translated as the “unique value of every person”); each section includes an introduction to an organization that centers diverse Jewish experiences.

A celebration of progressive Judaism and an inclusive primer on Jews making a difference in the world. (resources) (Nonfiction. 8-12)

Pub Date: Sept. 24, 2024

ISBN: 9780063285712

Page Count: 128

Publisher: Harper/HarperCollins

Review Posted Online: June 15, 2024

Kirkus Reviews Issue: July 15, 2024

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THE BOY WHO FAILED SHOW AND TELL

Though a bit loose around the edges, a charmer nevertheless.

Tales of a fourth grade ne’er-do-well.

It seems that young Jordan is stuck in a never-ending string of bad luck. Sure, no one’s perfect (except maybe goody-two-shoes William Feranek), but Jordan can’t seem to keep his attention focused on the task at hand. Try as he may, things always go a bit sideways, much to his educators’ chagrin. But Jordan promises himself that fourth grade will be different. As the year unfolds, it does prove to be different, but in a way Jordan couldn’t possibly have predicted. This humorous memoir perfectly captures the square-peg-in-a-round-hole feeling many kids feel and effectively heightens that feeling with comic situations and a splendid villain. Jordan’s teacher, Mrs. Fisher, makes an excellent foil, and the book’s 1970s setting allows for her cruelty to go beyond anything most contemporary readers could expect. Unfortunately, the story begins to run out of steam once Mrs. Fisher exits. Recollections spiral, losing their focus and leading to a more “then this happened” and less cause-and-effect structure. The anecdotes are all amusing and Jordan is an endearing protagonist, but the book comes dangerously close to wearing out its welcome with sheer repetitiveness. Thankfully, it ends on a high note, one pleasant and hopeful enough that readers will overlook some of the shabbier qualities. Jordan is White and Jewish while there is some diversity among his classmates; Mrs. Fisher is White.

Though a bit loose around the edges, a charmer nevertheless. (Memoir. 8-12)

Pub Date: Feb. 2, 2021

ISBN: 978-1-338-64723-5

Page Count: 208

Publisher: Scholastic

Review Posted Online: Nov. 17, 2020

Kirkus Reviews Issue: Dec. 1, 2020

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