by Anne Rice ‧ RELEASE DATE: Nov. 29, 2016
Rice’s latest excursion into otherly realms may leave some readers feeling overstuffed—but others, to be sure, will be...
Having perhaps bled all the possibilities out of earthly children of the night, Rice (Prince Lestat, 2014, etc.) takes a bite out of two big bodies of myth.
Uneasy lies the head that wears a crown. Pity poor Prince Lestat; he was once able to roam the world without a care, nipping and frolicking, but now he has administrative duties and, with them, fresh enemies seeking a shot at power. One constant source of irritation is the stately Rhoshamandes who has suddenly come into an all-day sucker of a captive whose ever flowing juice has “nutrients that human blood does not have.” A fine thing for a vampire’s inventory, to be sure, but a portal as well into a world whose technology, as so often happens, has outpaced its morals. Down in that watery realm, the denizens scorn the place where “a dreadful thing had happened in that mammals had gained self-awareness and intelligence and now ruled the planet.” The better to provide vampire chow, one might say. But the Atalantayans have their hungers, too, and the hungriest of them seems to have latched on to poor Lestat. Inner voice, nothing: Amel is much more than a haunting spirit, “as different from ghosts,” another superevolved being tells us, “as angels are from humans.” Who will prevail? Well, if Amel sometimes conjures Charlie Manson, Lestat sounds like Twiggy once the fussing and feuding between immortal domains is settled: “This is our universe,” he says, “We too are made of stardust as are all things on this planet; we too belong.” Yeah, well. Fans of Rice’s vampire fiction will feast on whatever they can of hers, but Ignatius Donnelly/Edgar Cayce aficionados may twitch at all the “kindred in the Blood” stuff uneasily mixed in with the old lost continent mythos.
Rice’s latest excursion into otherly realms may leave some readers feeling overstuffed—but others, to be sure, will be hungry for more.Pub Date: Nov. 29, 2016
ISBN: 978-0-385-35379-3
Page Count: 480
Publisher: Knopf
Review Posted Online: Oct. 18, 2016
Kirkus Reviews Issue: Nov. 1, 2016
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by Anne Rice ; illustrated by Mark Edward Geyer
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by TJ Klune ‧ RELEASE DATE: March 17, 2020
A breezy and fun contemporary fantasy.
A tightly wound caseworker is pushed out of his comfort zone when he’s sent to observe a remote orphanage for magical children.
Linus Baker loves rules, which makes him perfectly suited for his job as a midlevel bureaucrat working for the Department in Charge of Magical Youth, where he investigates orphanages for children who can do things like make objects float, who have tails or feathers, and even those who are young witches. Linus clings to the notion that his job is about saving children from cruel or dangerous homes, but really he’s a cog in a government machine that treats magical children as second-class citizens. When Extremely Upper Management sends for Linus, he learns that his next assignment is a mission to an island orphanage for especially dangerous kids. He is to stay on the island for a month and write reports for Extremely Upper Management, which warns him to be especially meticulous in his observations. When he reaches the island, he meets extraordinary kids like Talia the gnome, Theodore the wyvern, and Chauncey, an amorphous blob whose parentage is unknown. The proprietor of the orphanage is a strange but charming man named Arthur, who makes it clear to Linus that he will do anything in his power to give his charges a loving home on the island. As Linus spends more time with Arthur and the kids, he starts to question a world that would shun them for being different, and he even develops romantic feelings for Arthur. Lambda Literary Award–winning author Klune (The Art of Breathing, 2019, etc.) has a knack for creating endearing characters, and readers will grow to love Arthur and the orphans alongside Linus. Linus himself is a lovable protagonist despite his prickliness, and Klune aptly handles his evolving feelings and morals. The prose is a touch wooden in places, but fans of quirky fantasy will eat it up.
A breezy and fun contemporary fantasy.Pub Date: March 17, 2020
ISBN: 978-1-250-21728-8
Page Count: 352
Publisher: Tor
Review Posted Online: Nov. 10, 2019
Kirkus Reviews Issue: Dec. 1, 2019
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by Grady Hendrix ‧ RELEASE DATE: April 7, 2020
Fans of smart horror will sink their teeth into this one.
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Things are about to get bloody for a group of Charleston housewives.
In 1988, the scariest thing in former nurse Patricia Campbell’s life is showing up to book club, since she hasn’t read the book. It’s hard to get any reading done between raising two kids, Blue and Korey, picking up after her husband, Carter, a psychiatrist, and taking care of her live-in mother-in-law, Miss Mary, who seems to have dementia. It doesn’t help that the books chosen by the Literary Guild of Mt. Pleasant are just plain boring. But when fellow book-club member Kitty gives Patricia a gloriously trashy true-crime novel, Patricia is instantly hooked, and soon she’s attending a very different kind of book club with Kitty and her friends Grace, Slick, and Maryellen. She has a full plate at home, but Patricia values her new friendships and still longs for a bit of excitement. When James Harris moves in down the street, the women are intrigued. Who is this handsome night owl, and why does Miss Mary insist that she knows him? A series of horrific events stretches Patricia’s nerves and her Southern civility to the breaking point. (A skin-crawling scene involving a horde of rats is a standout.) She just knows James is up to no good, but getting anyone to believe her is a Sisyphean feat. After all, she’s just a housewife. Hendrix juxtaposes the hypnotic mundanity of suburbia (which has a few dark underpinnings of its own) against an insidious evil that has taken root in Patricia’s insular neighborhood. It’s gratifying to see her grow from someone who apologizes for apologizing to a fiercely brave woman determined to do the right thing—hopefully with the help of her friends. Hendrix (We Sold Our Souls, 2018, etc.) cleverly sprinkles in nods to well-established vampire lore, and the fact that he’s a master at conjuring heady 1990s nostalgia is just the icing on what is his best book yet.
Fans of smart horror will sink their teeth into this one.Pub Date: April 7, 2020
ISBN: 978-1-68369-143-3
Page Count: 400
Publisher: Quirk Books
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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