Here, Rice varies the seasoning for her famous dish: the damnation of immortality. Her new tale, a kind of B-picture novel, is a cross between Karloff's The Mummy, a comic strip, and a gothic romance. Rather than the cloth-of-purple-velvet of the first Lestate novel (Interview with a Vampire), Rice herein spools out gauzy underwriting whose thinness just bastes her story to the page. The virgin heroine is Julie Stratford, the sought-after daughter of a retired shipping magnate who has taken up his hobby full-time: Egyptology. On page one her father discovers the cursed tomb of Ramses the Second—who somehow has been entombed in a site inscribed with Roman and Greek and Egyptian hieroglyphs from the period of Cleopatra—a thousand years after the death of Ramses! Indeed, Ramses, who mastered the elixir of immortality, would return to life from time to time to help out a bewildered Pharaoh when Egypt was in trouble. Unfortunately, he fell for Cleopatra, but she only wanted him to grant immortality to Antony. Now Julie's father is murdered by her besotted rotter of a cousin, who uses a poison from the tomb, and Julie becomes independently wealthy. She takes Ramses' casket (on its way to the British Museum) to her fancy London home—where Ramses springs back to health to save Julie from her murderous cousin. Ramses is superhumanly intelligent, strong, royal, and indestructible, and Rice dangles Julie's virginity under his nose for better than half the book. Ramses' adventures in 1930's London are fairly amusing, as is his return to Cairo. When Ramses recovers the body of Cleopatra from Nile mud and gives her corpse the elixir, he awakens a monster who is nonetheless Julie's chief rival (Julie and Cleo meet in the powder room at the opera). Should Julie drink the awful elixir and join Ramses in the damnation of immortality? There is no question about Rice losing any fans with this lightsome, almost chirpily horrorless horror romance: she won't. Meanwhile, more adventures of Ramses are planned.
Pub Date: June 1, 1989
ISBN: 0345369947
Page Count: -
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 1989
PERSPECTIVES
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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