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THE VAMPIRE LESTAT

From the The Vampire Chronicles series

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Vampires are getting classier. Rice's formidable Lestat (given a bad press by his protege Louis in the author's Interview With a Vampire, 1976) sets the record straight with his story—from 18th-century fang-y to 20th-century rock star—all in Rice's faintly erotic, red-velvet-tasseled prose, festooned with swags of philosophical-theological expository flights, intra-vampirian warfare and sanguinary nightcaps. The seventh son of an impecunious French nobleman, Lestat, the family hunter and wolf-killer, who with his soul-mate Nicholas, another rebel, pondered the "meaninglessness" of the universe, was initiated into the Dark Gifts of the vampire in Paris. All, the "taste and feel of blood when all passion and greed is sharpened in that one desire!" But Lestat as vampire is in trouble almost immediately with the vampire establishment, since he loves living as a mortal and wants to do good. To save his beloved mother from an imminent death, there's that blood-for-blood ceremony, and zingo! Mother becomes the luscious "Gabrielle," charter coven member. She'll join him in a sectarian battle with Vampire Armand's cemetery gang, who've captured Nicholas (Lestate rescues him but later can't resist merging circulatory systems). Eventually, in narratives by Armand. and Marius, keeper of ancient Egyptian gods and vampirian annals. Lestat will learn of the vampires' complex history. It's rooted in Earth Mother cults and took on the coloration of various periods and places—hence the sectarian battling of demonic immortals. Rice dots Lestat's tale with some marvelous chillers: a giant killer-god on the march; a splendid crypt entrance before a terrified congregation; night prowls and rock-concert screams with telltale "tiny white faces" in the San Francisco audience. But worry not: vampire rules dictate that mortals are perfectly safe in Vampire Bars. A vampire bonanza in appropriate dark, humid, spider-web narrative—Rice's specialty. One giant step beyond Bela.

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Pub Date: Oct. 31, 1985

ISBN: 0345419642

Page Count: 680

Publisher: Knopf

Review Posted Online: April 9, 2012

Kirkus Reviews Issue: Sept. 15, 1985

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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A BLIGHT OF BLACKWINGS

A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.

Book 2 of Hearne's latest fantasy trilogy, The Seven Kennings (A Plague of Giants, 2017), set in a multiracial world thrust into turmoil by an invasion of peculiar giants.

In this world, most races have their own particular magical endowment, or “kenning,” though there are downsides to trying to gain the magic (an excellent chance of being killed instead) and using it (rapid aging and death). Most recently discovered is the sixth kenning, whose beneficiaries can talk to and command animals. The story canters along, although with multiple first-person narrators, it's confusing at times. Some characters are familiar, others are new, most of them with their own problems to solve, all somehow caught up in the grand design. To escape her overbearing father and the unreasoning violence his kind represents, fire-giant Olet Kanek leads her followers into the far north, hoping to found a new city where the races and kennings can peacefully coexist. Joining Olet are young Abhinava Khose, discoverer of the sixth kenning, and, later, Koesha Gansu (kenning: air), captain of an all-female crew shipwrecked by deep-sea monsters. Elsewhere, Hanima, who commands hive insects, struggles to free her city from the iron grip of wealthy, callous merchant monarchists. Other threads focus on the Bone Giants, relentless invaders seeking the still-unknown seventh kenning, whose confidence that this can defeat the other six is deeply disturbing. Under Hearne's light touch, these elements mesh perfectly, presenting an inventive, eye-filling panorama; satisfying (and, where appropriate, well-resolved) plotlines; and tensions between the races and their kennings to supply much of the drama.

A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.

Pub Date: Feb. 4, 2020

ISBN: 978-0-345-54857-3

Page Count: 592

Publisher: Del Rey/Ballantine

Review Posted Online: Nov. 24, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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