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HEY, CHARLESTON!

THE TRUE STORY OF THE JENKINS ORPHANAGE BAND

A notable look at a little-known piece of jazz history.

A concerned pastor and a rich musical tradition come together to play an important role in the growth of jazz.

In the late 1800s, Rev. Jenkins, born a slave in South Carolina and later orphaned, came across a group of abandoned children. He established an orphanage in Charleston for these children and others like them, all African-Americans. Jenkins led them in singing to drown out the noise from a prison next door. As money was scarce, he came up with the idea of teaching the children to play marching-band music using forgotten Civil War brass instruments. Many of the children, born into the Gullah or Geechee traditions of the islands off South Carolina, enjoyed playing “rag” music. They incorporated this rhythm into their performances and danced while playing. Success followed, with trips to New York, where enthusiastic crowds urged the band to play “Charleston.” They performed at Theodore Roosevelt’s inauguration and for King George V of England, sailing home in dangerous waters after World War I erupted. Some of the young men grew up to play with Ellington and Basie. Rockwell relates her tale in a fast-paced narrative that will hopefully encourage readers to turn into listeners. Bootman’s emotive, full-bleed artwork provides a lively accompaniment.

A notable look at a little-known piece of jazz history. (author’s note, selected bibliography) (Informational picture book. 5-10)

Pub Date: Nov. 1, 2013

ISBN: 978-0-7613-5565-6

Page Count: 32

Publisher: Carolrhoda

Review Posted Online: Aug. 2, 2013

Kirkus Reviews Issue: Sept. 15, 2013

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J.D. AND THE FAMILY BUSINESS

From the J.D. the Kid Barber series , Vol. 2

A strong second outing for Dillard and J.D.

Breakout kid barber J.D. embraces a summer of opportunity.

Readers met J.D. Jones just as he took his hometown of Meridian, Mississippi, by storm, winning himself community acclaim and a chair at the revered Hart and Sons barbershop in series opener J.D. and the Great Barber Battle(2021). What’s next for the haircut prodigy? School’s just getting out, and there’s so much life happening outside—if only one can escape home learning with the grandparents. J.D.’s sister, Vanessa, brings along multitalented mutual friend Jessyka to share an ambitious challenge: “Let’s start a YouTube channel!” Can they get millions of views and wow the whole world? They are already amazing at haircuts and hairstyles—all they need is to learn how to make a great YouTube video. The story models strategies for scripting short videos reflecting the templates of viral YouTube hair tutorials, inviting readers to not only see the journey of the characters, but maybe also practice these skills at home. This book is bound to educate all about some of the most storied and cherished traditions within the Black community. Bringing in Vanessa is a great touch to extend the series across gender, and hopefully she’ll get a chance to lead her own adventures. This book blends skill-building, entrepreneurship, and strong family values to give young Black children visions of what’s possible when they follow their passions and embrace their community.

A strong second outing for Dillard and J.D. (Fiction. 6-9)

Pub Date: Aug. 3, 2021

ISBN: 978-0-593-11155-0

Page Count: 128

Publisher: Kokila

Review Posted Online: July 13, 2021

Kirkus Reviews Issue: Aug. 1, 2021

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LET THE CHILDREN MARCH

A powerful retrospective glimpse at a key event.

A vibrantly illustrated account of the Birmingham Children’s Crusade through the eyes of a young girl who volunteers to participate.

Morrison’s signature style depicts each black child throughout the book as a distinct individual; on the endpapers, children hold signs that collectively create a “Civil Rights and the Children’s Crusade” timeline, placing the events of the book in the context of the greater movement. When Dr. Martin Luther King Jr. comes to speak at her church, a girl and her brother volunteer to march in their parents’ stead. The narrative succinctly explains why the Children’s Crusade was a necessary logistical move, one that children and parents made with careful consideration and despite fear. Lines of text (“Let the children march. / They will lead the way // The path may be long and / troubled, but I’m gonna walk on!”) are placed within the illustrations in bold swoops for emphasis. Morrison’s powerful use of perspective makes his beautiful oil paintings even more dynamic and conveys the intensity of the situations depicted, including the children’s being arrested, hosed, and jailed. The child crusaders, regardless of how badly they’re treated, never lose their dignity, which the art conveys flawlessly. While the children win the day, such details as the Confederate flag subtly connect the struggle to the current day.

A powerful retrospective glimpse at a key event. (timeline, afterword, artist’s statement, quote sources, bibliography) (Picture book. 5-9)

Pub Date: Jan. 2, 2018

ISBN: 978-0-544-70452-7

Page Count: 40

Publisher: HMH Books

Review Posted Online: Oct. 15, 2017

Kirkus Reviews Issue: Nov. 1, 2017

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