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CIRCLE ROUND

Though well meaning, this circle is a bit broken.

A circle grows larger and more inclusive.

Children—diverse in gender, skin tone, ethnicity, hairstyle and color, and physical ability—meet while playing, initially separately, in the park. What unites them is engagement with round things: toys (ball, balloons, Frisbees, hula hoops); playground equipment; wheeled items (bike, wheelchair); and other circular objects (bubbles, cookies). The group expands in size and fun. After the kids clasp hands to form a literal circle, one child observes that a newcomer (with a dog) has just arrived. Guess who completes the friendship ring? This ode to kindness and a welcoming spirit is cheerful and textually minimal, focusing on number words one to 10, active verbs, and the words circle or circles in boldfaced larger type. Lively ink illustrations feature smiling children enjoying one another’s company and also, notably, being mutually helpful. One child uses a wheelchair and is fairly actively engaged in play; another wears hearing aids; a third, eyeglasses. Unfortunately, some illustrations suffer from a lack of clarity. On the first spread, captioned “One circle,” for instance, the verso shows a basketball, the recto, a bike. Kids would likely describe the bike’s wheels as round, therefore rightly claiming the spread includes three circles; the subsequent spread features the basketball and bike with the caption “Two circles”—but, arguably, again three circles. And so on. These interpretations may lead to conversation or frustration.

Though well meaning, this circle is a bit broken. (Picture book. 3-6)

Pub Date: Oct. 26, 2021

ISBN: 978-1-62354-152-1

Page Count: 32

Publisher: Charlesbridge

Review Posted Online: Sept. 23, 2021

Kirkus Reviews Issue: Oct. 15, 2021

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LOVE FROM THE VERY HUNGRY CATERPILLAR

Safe to creep on by.

Carle’s famous caterpillar expresses its love.

In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.

Safe to creep on by. (Picture book. 3-6)

Pub Date: Dec. 15, 2015

ISBN: 978-0-448-48932-2

Page Count: 32

Publisher: Grosset & Dunlap

Review Posted Online: Feb. 1, 2021

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LOVE FROM THE CRAYONS

As ephemeral as a valentine.

Daywalt and Jeffers’ wandering crayons explore love.

Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.

As ephemeral as a valentine. (Picture book. 4-6)

Pub Date: Dec. 24, 2019

ISBN: 978-1-5247-9268-8

Page Count: 32

Publisher: Penguin Workshop

Review Posted Online: Feb. 1, 2021

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