The sensual but grim story of damaged souls never rises above a simmer.
Swedish novelist Swärd’s American debut chronicles the slightly off-kilter friendship between a young girl from an unconventional Swedish family and an older boy who has immigrated to Sweden from Hungary with his father.
Before her birth in 1969, Lo’s extended family moved to the more refined south from hardscrabble northern Sweden at the urging of Lo’s paternal grandfather, Björn. His son is Lo’s father, David, but the love between Lo’s parents is shadowed by the unspoken, unconsummated passion between Lo’s mother, Katarina, and Björn. Raised in a household of 13 adults—her parents, her grandparents on both sides and various aunts and uncles—Lo remains happily swathed in the family’s love and protection until she is 6, when she meets Lukas at a fire that has broken out in the village. Already 13, Lukas seems younger since he has barely been domesticated. He lives with his father, who speaks no Swedish and beats him. After he rides her home on his bicycle, Lukas and Lo form an immediate bond. Lukas is every mother’s nightmare—too old, too wild—and Lo’s family forbids their friendship. Lo is an able if disinterested student; Lukas can barely read. But Lo remains undaunted in her loyalty. For years, she and Lukas meet regularly at the abandoned cabin in the woods. They watch Katarina’s favorite French film Breathless and swim naked in the stream. They are physically at ease with each other’s bodies, but even after Lukas reaches horny adolescence, there’s no sexual experimenting. At 15, Lo travels to Copenhagen with Lukas, now a working adult, at least on the surface. His physical desire manifests itself. But his love remains pure. Lo’s does not. And her betrayal haunts her into adulthood. Interspersed with Lo’s recollections of her childhood are descriptions of her wandering adulthood and loveless adult sex life.
The sensual but grim story of damaged souls never rises above a simmer.Pub Date: Aug. 19, 2013
ISBN: 978-0-670-02654-8
Page Count: 288
Publisher: Viking
Review Posted Online: July 18, 2013
Kirkus Reviews Issue: Aug. 1, 2013
Absolutely enthralling. Read it.
A young Irish couple gets together, splits up, gets together, splits up—sorry, can't tell you how it ends!
Irish writer Rooney has made a trans-Atlantic splash since publishing her first novel, Conversations With Friends, in 2017. Her second has already won the Costa Novel Award, among other honors, since it was published in Ireland and Britain last year. In outline it's a simple story, but Rooney tells it with bravura intelligence, wit, and delicacy. Connell Waldron and Marianne Sheridan are classmates in the small Irish town of Carricklea, where his mother works for her family as a cleaner. It's 2011, after the financial crisis, which hovers around the edges of the book like a ghost. Connell is popular in school, good at soccer, and nice; Marianne is strange and friendless. They're the smartest kids in their class, and they forge an intimacy when Connell picks his mother up from Marianne's house. Soon they're having sex, but Connell doesn't want anyone to know and Marianne doesn't mind; either she really doesn't care, or it's all she thinks she deserves. Or both. Though one time when she's forced into a social situation with some of their classmates, she briefly fantasizes about what would happen if she revealed their connection: "How much terrifying and bewildering status would accrue to her in this one moment, how destabilising it would be, how destructive." When they both move to Dublin for Trinity College, their positions are swapped: Marianne now seems electric and in-demand while Connell feels adrift in this unfamiliar environment. Rooney's genius lies in her ability to track her characters' subtle shifts in power, both within themselves and in relation to each other, and the ways they do and don't know each other; they both feel most like themselves when they're together, but they still have disastrous failures of communication. "Sorry about last night," Marianne says to Connell in February 2012. Then Rooney elaborates: "She tries to pronounce this in a way that communicates several things: apology, painful embarrassment, some additional pained embarrassment that serves to ironise and dilute the painful kind, a sense that she knows she will be forgiven or is already, a desire not to 'make a big deal.' " Then: "Forget about it, he says." Rooney precisely articulates everything that's going on below the surface; there's humor and insight here as well as the pleasure of getting to know two prickly, complicated people as they try to figure out who they are and who they want to become.
Absolutely enthralling. Read it.Pub Date: April 16, 2019
ISBN: 978-1-984-82217-8
Page Count: 288
Publisher: Hogarth
Review Posted Online: Feb. 17, 2019
Kirkus Reviews Issue: March 1, 2019
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"This soil," concludes the young narrator of this quiet chronicle of garrotted innocence, "is bad for all kinds of flowers. Certain seeds it will not nurture, certain fruit it will not bear." And among the exclusions of white rural Ohio, echoed by black respectability, is ugly, black, loveless, twelve-year-old Pecola. But in a world where blue-eyed gifts are clucked over and admired, and the Pecolas are simply not seen, there is always the possibility of the dream and wish—for blue eyes. Born of a mother who adjusted her life to the clarity and serenity of white households and "acquired virtues that were easy to maintain" and a father, Cholly, stunted by early rejections and humiliations, Pecola just might have been loved—for in raping his daughter Cholly did at least touch her. But "Love is never better than the lover," and with the death of her baby, the child herself, accepting absolutely the gift of blue eyes from a faith healer (whose perverse interest in little girls does not preclude understanding), inches over into madness. A skillful understated tribute to the fall of a sparrow for whose small tragedy there was no watching eye.
Pub Date: Oct. 29, 1970
ISBN: 0375411550
Page Count: -
Publisher: Holt Rinehart & Winston
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: Oct. 1, 1970
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