A deeply felt celebration of the resilience of the human spirit.
Wynter and Pumphrey tell the story of Juneteenth.
What would you wear, how would you eat, how would you sing, dance, and celebrate, after so many years of being forced to wear rags, to eat scraps, and to hide your messages in song? Directly addressing audiences, Wynter’s spare yet powerfully immersive words invite readers to imagine both the horrors of enslavement and the joy of emancipation, while the backmatter lays out the facts about the holiday commemorating June 19, 1865, when Maj. Gen. Gordon Granger arrived in Galveston, Texas, to announce the end of slavery. Pumphrey’s acrylic illustrations weave back and forth in time, juxtaposing stark images of silhouetted people in chains and picking cotton with uplifting scenes of the newly liberated dancing and even taking flight, along with depictions of modern-day Juneteenth parades and concerts. Author and illustrator walk a fine line, acknowledging the harsh realities of slavery while never overwhelming readers with gruesome details. Pumphrey nimbly incorporates lyrics from spirituals into his artwork. Beginning and ending on notes of hope—with scenes of a formerly enslaved family enjoying their freedom at sunrise and sunset—his visuals pulse with energy and life. Children will be filled with wonder; adults will be impressed by the sheer talent on display. All will come away enlightened and moved by this loving tribute.
A deeply felt celebration of the resilience of the human spirit. (lyrics to “Lift Every Voice and Sing”) (Informational picture book. 4-8)Pub Date: May 6, 2025
ISBN: 9780063081147
Page Count: 32
Publisher: Clarion/HarperCollins
Review Posted Online: March 8, 2025
Kirkus Reviews Issue: April 1, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A good-enough introduction to a contested festivity but one that’s not in step with the community it’s for.
An overview of the modern African-American holiday.
This book arrives at a time when black people in the United States have had intraracial—some serious, some snarky—conversations about Kwanzaa’s relevance nowadays, from its patchwork inspiration that flattens the cultural diversity of the African continent to a single festive story to, relatedly, the earnest blacker-than-thou pretentiousness surrounding it. Both the author and consultant Keith A. Mayes take great pains—and in painfully simplistic language—to provide a context that attempts to refute the internal arguments as much as it informs its intended audience. In fact, Mayes says in the endnotes that young people are Kwanzaa’s “largest audience and most important constituents” and further extends an invitation to all races and ages to join the winter celebration. However, his “young people represent the future” counterpoint—and the book itself—really responds to an echo of an argument, as black communities have moved the conversation out to listen to African communities who critique the holiday’s loose “African-ness” and deep American-ness and moved on to commemorate holidays that have a more historical base in black people’s experiences in the United States, such as Juneteenth. In this context, the explications of Kwanzaa’s principles and symbols and the smattering of accompanying activities feel out of touch.
A good-enough introduction to a contested festivity but one that’s not in step with the community it’s for. (resources, bibliography, glossary, afterword) (Nonfiction. 5-8)Pub Date: Sept. 5, 2017
ISBN: 978-1-4263-2849-7
Page Count: 40
Publisher: National Geographic Kids
Review Posted Online: Oct. 27, 2017
Pass.
The traditions and history of one of Mexico’s most important holidays are introduced in this latest of Eliot’s Celebrate the World series.
From setting up the flower-festooned altars to decorating the calaveras, the preparations depicted involve entire communities over several weeks. Characters in cowboy hats, sombreros, and baseball caps place the final touches on skeletons in full lucha libre regalia or spangled mariachi outfits. However, instead of accurately using Mexico’s name for the holiday, Día de Muertos, Eliot uses the English back-translation, “Día de los Muertos,” as is common in the U.S. even though the story evidently takes place in Mexico. Also, aside from stating that the celebration “is an ancient tradition,” there is no mention of its Indigenous, pre-European/Christian roots nor does the book actively distinguish between Día de Muertos and Halloween. The first-person narration vacillates between child and adult perspectives. “We do all this to celebrate the beauty of life and death rather than mourn it.” Gutierrez’s mixed-media illustrations are convulsive, crowded panes of frenetic activity. Exaggerated facial features border on stereotypical caricatures—snouts and bug eyes abound. Contributing to the crowded page design is the unfortunate choice of board rather than picture-book format. Consequently, the initial perception is that this series is geared toward toddlers, when it is the school-age child who would most benefit from the information in this book.
Pass. (Board book. 4-7)Pub Date: July 24, 2018
ISBN: 978-1-5344-1515-7
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 15, 2018
Kirkus Reviews Issue: Jan. 1, 2019
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