The drama of the artist’s fulfillment of his creative desires through this direct medium is somewhat undercut by the paucity...
The story of the legendary painter’s adoption of paper cutouts as an expressive medium after illness made traditional painting physically impossible is told here through lively pen-and-watercolor sketches.
Nuanced modulation of color, brilliant hues to monochrome and back again, is skillfully implemented. After bright, watercolor scenes of him at work, an almost colorless spread depicts Matisse in his hospital bed. “There’s no color in here. You’d think I was dead. What a nightmare! Fetch my brushes! Fetch my paints!” exclaims the painter. Successive spreads show him generating color as he creates, reinforcing the fact that it was the artist’s desire to embellish and enhance his surroundings that inspired his innovative use of cut paper. His process of creating the cutouts and directing the positioning of them on the walls of his room is well-portrayed, leading up to the revelation that “I’ve made myself a garden to live in, a whole new life.” Like the snail he depicts, the painter slowly rolls in his wheelchair through the oasis he has created against all obstacles. The one obstacle to making this book truly successful is the limited selection of cutouts actually shown, either as copies or reproductions of Matisse originals; there’s no Jazz, no Swimming Pool.
The drama of the artist’s fulfillment of his creative desires through this direct medium is somewhat undercut by the paucity of the visual elements. (biographical note) (Picture book. 5-8)Pub Date: Sept. 1, 2016
ISBN: 978-0-7358-4263-2
Page Count: 32
Publisher: NorthSouth
Review Posted Online: June 27, 2016
Kirkus Reviews Issue: July 15, 2016
Heartening.
One determined man brings two villages together with a hammer, chisel, and an iron will.
Deep in the heart of India, a mighty mountain separates two villages. Manjhi lives on one side, where nothing grows. On the other, rice and wheat flourish. The people there are affluent, while Manjhi’s village struggles with hunger. Manjhi climbs to the top of the mountain to ponder this problem. When he throws a stone, it triggers a sprinkle of powder, which gives him an idea. Manjhi trades his trio of goats for a hammer and chisel. Hurrying back to the top of the mountain, he positions the chisel and strikes it with the hammer. Powdered rock and tiny chips spray. He continues until he’s exhausted, but he’s also filled with hope. Even though people tell him he’s “crazy,” day after day Manjhi returns to the mountain. After a year, Majhi is a little stronger, and the hole he has made a little deeper. He perseveres and, when he returns to his task each day, notices that others have continued his work. It takes 22 years, but Manjhi lives to see the day that two villages become one, sharing water, hopes, and dreams. Churnin’s prose has an elegance appropriate for her inspiring tale, which is based on a true story. Popovich’s double-page illustrations use a warm palette and are nicely composed.
Heartening. (Picture book. 5-8)Pub Date: Sept. 1, 2017
ISBN: 978-1-939547-34-7
Page Count: 32
Publisher: Creston
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A beautifully designed book that will resonate with children and the adults who wisely share it with them.
An inspirational ode to the life of the great South African leader by an award-winning author and illustrator.
Mandela’s has been a monumental life, a fact made clear on the front cover, which features an imposing, full-page portrait. The title is on the rear cover. His family gave him the Xhosa name Rolihlahla, but his schoolteacher called him Nelson. Later, he was sent to study with village elders who told him stories about his beautiful and fertile land, which was conquered by European settlers with more powerful weapons. Then came apartheid, and his protests, rallies and legal work for the cause of racial equality led to nearly 30 years of imprisonment followed at last by freedom for Mandela and for all South Africans. “The ancestors, / The people, / The world, / Celebrated.” Nelson’s writing is spare, poetic, and grounded in empathy and admiration. His oil paintings on birch plywood are muscular and powerful. Dramatic moments are captured in shifting perspectives; a whites-only beach is seen through a wide-angle lens, while faces behind bars and faces beaming in final victory are masterfully portrayed in close-up.
A beautifully designed book that will resonate with children and the adults who wisely share it with them. (author’s note, bibliography) (Picture book/biography. 5-8)Pub Date: Jan. 2, 2013
ISBN: 978-0-06-178374-6
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: Nov. 18, 2012
Kirkus Reviews Issue: Dec. 1, 2012
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
