A frontier adventure that spotlights one of the many significant roles ethnic Chinese played in American history.
Themes of racial discrimination, saving nature, and food and cooking are braided seamlessly in this picture-book biography.
At the turn of the 20th century, Chinese men—whether immigrants or American-born—had little choice when it came to work. Most ended up as cooks in restaurants or laundrymen. But Tie Sing “had dreams as big as the country he loved” and made correspondingly expensive plans. Fueled by a love for the outdoors and a passion for cooking, he soon earned a reputation as the best trail cook in California. In 1915, Tie Sing was hired by millionaire Stephen Mather, who had invited a special group of men to go camping in the hope of convincing Congress to protect the country’s natural wonders. For the first few days, Tie Sing kept everyone well-fed with sardine hors d’oeuvres, sizzling steaks, and fresh-baked sourdough rolls. Unfortunately, disaster struck, not once but twice, and Tie Sing lost much of his provisions but tweaked the menu to carry on. Tie Sing’s talent and resourcefulness played a huge part in the success of Mather’s mission, and within a year, Congress created the National Park Service. Pimentel’s lyrically told account is to the point, explaining that “America was a tough place to be Chinese” before zeroing in on Tie Sing’s culinary wizardry. Lo’s illustrations have an appropriately faded look, neatly evoking both the times and the craggy wilderness.
A frontier adventure that spotlights one of the many significant roles ethnic Chinese played in American history. (Picture book/biography. 5-10)Pub Date: Aug. 2, 2016
ISBN: 978-1-58089-711-2
Page Count: 40
Publisher: Charlesbridge
Review Posted Online: May 13, 2016
Kirkus Reviews Issue: June 1, 2016
Absolutely wonderful in every way.
A long-forgotten chapter in New York City history is brilliantly illuminated.
In mid-19th-century New York, horses and horse-drawn vehicles were the only means of transportation, and the din created by wheels as they rumbled on the cobblestones was deafening. The congestion at intersections threatened the lives of drivers and pedestrians alike. Many solutions were bandied about, but nothing was ever done. Enter Alfred Ely Beach, an admirer of “newfangled notions.” Working in secret, he created an underground train powered by an enormous fan in a pneumatic tube. He built a tunnel lined with brick and concrete and a sumptuously decorated waiting room for passenger comfort. It brought a curious public rushing to use it and became a great though short-lived success, ending when the corrupt politician Boss Tweed used his influence to kill the whole project. Here is science, history, suspense, secrecy, and skulduggery in action. Corey’s narrative is brisk, chatty, and highly descriptive, vividly presenting all the salient facts and making the events accessible and fascinating to modern readers. The incredibly inventive multimedia illustrations match the text perfectly and add detail, dimension, and pizazz. Located on the inside of the book jacket is a step-by-step guide to the creative process behind these remarkable illustrations.
Absolutely wonderful in every way. (author’s note, bibliography, Web resources) (Informational picture book. 6-10)Pub Date: March 8, 2016
ISBN: 978-0-375-87071-2
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Dec. 21, 2015
Kirkus Reviews Issue: Jan. 1, 2016
Weatherford and Christie dazzlingly salute African-Americans’ drive to preserve their dignity and pride.
Count down the days until Sunday, a day for slaves in New Orleans to gather together and remember their African heritage.
In rhyming couplets, Weatherford vividly describes each day of nonstop work under a “dreaded lash” until Sunday, when slaves and free blacks could assemble in Congo Square, now a part of New Orleans’ Louis Armstrong Park and on the National Register of Historic Places. Musicians “drummed ancestral roots alive” on different traditional instruments, and men and women danced. They also exchanged information and sold wares. The poetry is powerful and evocative, providing a strong and emotional window into the world of the slave. Christie’s full-bleed paintings are a moving accompaniment. His elongated figures toil in fields and in houses with bent backs under the watchful eyes of overseers with whips. Then on Sunday, they greet one another and dance with expressively charged spirits. One brilliant double-page spread portrays African masks and instruments with swirling lines of text; it is followed by another with four dancers moving beautifully—almost ethereally—on a vibrant yellow collage background. As the author notes, jazz would soon follow from the music played in Congo Square.
Weatherford and Christie dazzlingly salute African-Americans’ drive to preserve their dignity and pride. (foreword, glossary, author’s note) (Picture book. 5-9)Pub Date: Jan. 5, 2016
ISBN: 978-1-4998-0103-3
Page Count: 40
Publisher: Little Bee Books
Review Posted Online: Oct. 13, 2015
Kirkus Reviews Issue: Nov. 1, 2015
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