by Annette Gordon-Reed ‧ RELEASE DATE: Jan. 18, 2011
Gordon-Reed incorporates views by Johnson’s other biographers to create a fleshed-out, many-sided portrait.
A fair-minded, toned-down portrait of a deeply problematic president who could not rise to the country’s challenge after the Civil War.
While Abraham Lincoln is often considered our greatest president, the man who inherited the post after his assassination is often voted the worst. In this succinct study typical of the publisher’s informative, tidily composed series, Pulitzer Prize–winning author Gordon-Reed (History and Law/Harvard Univ.; The Hemingses of Monticello) carefully walks through the conflicts of Andrew Johnson’s career, culminating in his near impeachment in 1868. What compelled Johnson to block all measures of Reconstruction in the South and rehabilitate the very Southern planters and slave-owners who had earlier wrecked the Union? The author considers the measure of Johnson’s character, forged in the years of his family’s poverty after the early death of his father in Raleigh, N.C. Forced by his mother’s reduced circumstances into apprenticeship to a tailor, Johnson escaped and eventually set up shop as a tailor in Greenville, Tenn., married and grew somewhat prosperous, despite the lack of any formal education. It was during those early years, when he had “brushed up close to the nightmare of dependency and social degradation,” a state shared by the enslaved African Americans at the time, that Johnson developed his obsession with the wrongs of the poor whites at the hands of the planter class—and at the expense of blacks. A fiery debater, Johnson duly acceded to positions of alderman, mayor, congressman, governor and senator as a Tennessee Democrat. A staunch Unionist (despite his pro-slavery stance) and proponent of the Homestead Act, Johnson also made a lot of enemies. His ability to serve as a military governor (appointed by Lincoln) to a state in rebellion from the Union underscored his character’s ample contradictions, foretelling the executive trials ahead.
Gordon-Reed incorporates views by Johnson’s other biographers to create a fleshed-out, many-sided portrait.Pub Date: Jan. 18, 2011
ISBN: 978-0-8050-6948-8
Page Count: 192
Publisher: Times/Henry Holt
Review Posted Online: Dec. 30, 2010
Kirkus Reviews Issue: Nov. 15, 2010
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
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