by Annette Hess ; translated by Elisabeth Lauffer ‧ RELEASE DATE: Dec. 3, 2019
Questions of complicity and culpability are resolved by prosecutors and daughters alike in Hess’ slow reveal of large truths...
What is the cost of learning the truth? And who is responsible for telling that costly truth?
A prosecutor’s exhortation to learn “every conceivable” Polish word for “how to kill a person” is an early signal to a naïve German interpreter, called in 1963 to translate at the Frankfurt Auschwitz trials, that she will soon confront truths about the past never before revealed. Eva Bruhns, a young woman still living with her parents—the proprietors of the eponymous German House restaurant—looks forward to a betrothal to Jürgen Schoormann, her reserved boyfriend, and routinely works as a Polish-language interpreter in mundane contract matters and business disputes. Her sister, Annegret, works as a pediatric nurse while younger brother Stefan dotes on the family’s black dachshund. The Bruhns are a thoroughly average family. Eva’s growing awareness of the atrocities perpetrated by the Auschwitz defendants, coupled with a vague sense of déjà vu, jolts her out of complacency and ignorance about the role the average German citizen played during the war. Eva’s increasing passion to secure justice for the victims of Auschwitz, whose stories she absorbs daily, contrasts vividly with the attitudes and actions of her neighbors (and family members), whose desire to leave the past behind is clear. Hess, a popular television screenwriter in Germany, delivers scenes and dialogue in a linear sequence, and it is easy to envision almost any of the scenes (courtroom or dining room) on screen via the straightforward translation by Lauffer. Less linear are the continuing deceptions Eva confronts on an average day, in an average life, in an average city.
Questions of complicity and culpability are resolved by prosecutors and daughters alike in Hess’ slow reveal of large truths which are obscured by larger lies.Pub Date: Dec. 3, 2019
ISBN: 978-0-06-291025-7
Page Count: 336
Publisher: HarperVia
Review Posted Online: Sept. 14, 2019
Kirkus Reviews Issue: Oct. 1, 2019
Share your opinion of this book
by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
Share your opinion of this book
More About This Book
BOOK TO SCREEN
SEEN & HEARD
by Margaret Atwood ‧ RELEASE DATE: Sept. 10, 2019
Suspenseful, full of incident, and not obviously necessary.
Awards & Accolades
Likes
68
Our Verdict
GET IT
New York Times Bestseller
Booker Prize Winner
Atwood goes back to Gilead.
The Handmaid’s Tale (1985), consistently regarded as a masterpiece of 20th-century literature, has gained new attention in recent years with the success of the Hulu series as well as fresh appreciation from readers who feel like this story has new relevance in America’s current political climate. Atwood herself has spoken about how news headlines have made her dystopian fiction seem eerily plausible, and it’s not difficult to imagine her wanting to revisit Gilead as the TV show has sped past where her narrative ended. Like the novel that preceded it, this sequel is presented as found documents—first-person accounts of life inside a misogynistic theocracy from three informants. There is Agnes Jemima, a girl who rejects the marriage her family arranges for her but still has faith in God and Gilead. There’s Daisy, who learns on her 16th birthday that her whole life has been a lie. And there's Aunt Lydia, the woman responsible for turning women into Handmaids. This approach gives readers insight into different aspects of life inside and outside Gilead, but it also leads to a book that sometimes feels overstuffed. The Handmaid’s Tale combined exquisite lyricism with a powerful sense of urgency, as if a thoughtful, perceptive woman was racing against time to give witness to her experience. That narrator hinted at more than she said; Atwood seemed to trust readers to fill in the gaps. This dynamic created an atmosphere of intimacy. However curious we might be about Gilead and the resistance operating outside that country, what we learn here is that what Atwood left unsaid in the first novel generated more horror and outrage than explicit detail can. And the more we get to know Agnes, Daisy, and Aunt Lydia, the less convincing they become. It’s hard, of course, to compete with a beloved classic, so maybe the best way to read this new book is to forget about The Handmaid’s Tale and enjoy it as an artful feminist thriller.
Suspenseful, full of incident, and not obviously necessary.Pub Date: Sept. 10, 2019
ISBN: 978-0-385-54378-1
Page Count: 432
Publisher: Nan A. Talese
Review Posted Online: Sept. 3, 2019
Kirkus Reviews Issue: Sept. 15, 2019
Share your opinion of this book
More by Douglas Preston
BOOK REVIEW
edited by Margaret Atwood & Douglas Preston
BOOK REVIEW
BOOK REVIEW
More About This Book
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Trouble signing in? Retrieve credentials.
Welcome Back!
OR
Trouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.