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GETTING LOST

A deeply revealing, intimate work that fully demonstrates the author’s exquisite writing process.

A new translation of the diary on which the recent Nobel Prize winner based her 1991 novel, Simple Passion.

In a narrative that reveals Ernaux’s surgical process of inward observation, she chronicles an all-consuming yearlong affair with a Russian diplomat whom she met during a literary junket in Leningrad in the fall of 1988. Known for her meticulously hewn autobiographical work since her first novel, Cleaned Out, appeared in 1974, Ernaux published this diary in France in 2001. In the preface, the author asserts that, unlike the fictionalized version of the affair in Simple Passion, her diary contains something “raw and dark, without salvation, a kind of oblation.” Indeed, the text is a well-rendered yet agonizing, claustrophobic journey. Ernaux writes about how she and “S,” more than a decade older than her and married, met in Paris, where he was stationed in a cultural capacity. Readers watch as the narrator waits in self-abnegation for his call, anticipating the moment they will meet again. Everything else in the world falls away amid their passion, and Ernaux offers tantalizing details about S: tall and handsome, given to drinking too much vodka and waxing nostalgic about Brezhnev and Stalin, and, though a wonderful lover, somewhat comical as he won’t remove his socks. The author is consistently clear about her level of devotion during this time: “I feel no sense of caution or restraint, nor do I have any doubts, finally. Something has come full circle. I commit the same errors as in the past but they are no longer errors. There is only beauty, passion, desire.” Ernaux also discusses the influence of Simone de Beauvoir and notes how her own work is full of “egocentric suffering. Yet I know that it is through this layer of suffering that I communicate with the rest of humanity.”

A deeply revealing, intimate work that fully demonstrates the author’s exquisite writing process.

Pub Date: Oct. 4, 2022

ISBN: 978-1-64421-219-6

Page Count: 240

Publisher: Seven Stories

Review Posted Online: Oct. 9, 2022

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  • New York Times Bestseller

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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  • New York Times Bestseller

A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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WAR

An engrossing and ominous chronicle, told by a master of the form.

Documenting perilous times.

In his most recent behind-the-scenes account of political power and how it is wielded, Woodward synthesizes several narrative strands, from the Jan. 6, 2021, insurrection and Hamas’ Oct. 7, 2023, attack on Israel to the 2024 presidential campaign. Woodward’s clear, gripping storytelling benefits from his legendary access to prominent figures and a structure of propulsive chapters. The run-up to Russia’s invasion of Ukraine is tense (if occasionally repetitive), as a cast of geopolitical insiders try to divine Vladimir Putin’s intent: “Doubt among allies, the public and among Ukrainians meant valuable time and space for Putin to maneuver.” Against this backdrop, U.S. Sen. Lindsey Graham implores Donald Trump to run again, notwithstanding the former president’s denial of his 2020 defeat. This provides unwelcome distraction for President Biden, portrayed as a thoughtful, compassionate lifetime politico who could not outrace time, as demonstrated in the June 2024 debate. Throughout, Trump’s prevarications and his supporters’ cynicism provide an unsettling counterpoint to warnings provided by everyone from former Joint Chief of Staff Mark Milley to Vice President Kamala Harris, who calls a second Trump term a likely “death knell for American democracy.” The author’s ambitious scope shows him at the top of his capabilities. He concludes with these unsettling words: “Based on my reporting, Trump’s language and conduct has at times presented risks to national security—both during his presidency and afterward.”

An engrossing and ominous chronicle, told by a master of the form.

Pub Date: Oct. 15, 2024

ISBN: 9781668052273

Page Count: 448

Publisher: Simon & Schuster

Review Posted Online: Oct. 15, 2024

Kirkus Reviews Issue: Dec. 15, 2024

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