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THAT OLD ACE IN THE HOLE

Funny, deft, and sharply told, Proulx’s latest (after Close Range, 1999) suffers from excessive local color in parts, but...

A kind of Rake’s Progress set in the Texas panhandle, where a slick Denver hustler goes to fleece the rubes and ends up going over to their side.

The aptly named Bob Dollar hasn’t got much going for him except youth, innocence, and an uninformed ambition to make something of himself. It’s not surprising he turned out this way, considering that his no-good parents walked out when he was seven, leaving him in the care of his crusty uncle while they went off to seek their fortune in Alaska. Now that he’s all grown up and done with college, Bob takes a job with the Global Pork Rind Corporation as location scout. His mission is to scour the Texas panhandle looking for ranches that might be bought to use as hog farms for the GPR. It’s a tough sell (who wants to live near a hog farm?), and the Texas outback is rough territory for salesmen under the best of circumstances. For a young man in a hurry, though, the job offers hope of quick advancement and good money down the line. But Bob, a Denver boy, has never been to Texas before, and he doesn’t know the first thing about the ways of folks on the panhandle—where millionaires are likely to live in trailers and building steam locomotives in your garage might count as a normal hobby. In the little crossroads town of Woolybucket, with his landlady LaVon Fronk as his guide, he sets out to size up the locals and go in for the kill. He soon settles upon Ace and Tater Crouch as his best target: cash-poor and getting on in years, the Crouch brothers own a large spread that would be perfect for a hog farm. Unfortunately for Bob, the Crouches have more than dollars in mind. Even worse, they eventually make him see that there’s more than dollars in life.

Funny, deft, and sharply told, Proulx’s latest (after Close Range, 1999) suffers from excessive local color in parts, but it’s engaging and worthwhile—if not up to her usual level.

Pub Date: Dec. 12, 2002

ISBN: 0-684-81307-6

Page Count: 384

Publisher: Scribner

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 2002

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CONCLAVE

An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...

Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.

Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: He’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”

An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.

Pub Date: Nov. 22, 2016

ISBN: 978-0-451-49344-6

Page Count: 304

Publisher: Knopf

Review Posted Online: Sept. 6, 2016

Kirkus Reviews Issue: Sept. 15, 2016

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THE SECRET HISTORY

The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.

Pub Date: Sept. 16, 1992

ISBN: 1400031702

Page Count: 592

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1992

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