A heartwarming tear-jerker—bravo, indeed.
Musings on loss.
An old man and his wife (both tan-skinned) spend their days playing piano and painting, respectively, in their little house high on a hill. The music travels to the valley below, attracting the eponymous Little Bird, who builds her nest outside the man’s window and sings as he plays. The couple’s visiting grandson (slightly lighter-skinned than they are) delights in Little Bird, and everyone is glad when her babies hatch. The grandfather cheers on everyone’s creative efforts. His encouragement continues even as his strength wanes and the grandson takes over at the piano. A strikingly composed, somber aerial view of the grandmother and grandson embracing shows the piano sitting idly in the house, the birds still (“Then one morning, all was quiet”). It’s clear that Grandpa has died. Grief silences the once-happy home until a cardinal (which some readers will regard as a sign of a deceased loved one) asks Little Bird about the music that used to play in the valley. Culminating scenes show the old man’s legacy in action as people and birds alike gather to make music outside the house on the hill. The text has a folkloric quality, movingly grappling with grief, loss, and legacy, while warm illustrations that evoke Lauren Castillo’s style create both idyllic scenes of enjoyment in art and music and moments of heartache. (This book was reviewed digitally.)
A heartwarming tear-jerker—bravo, indeed. (Picture book. 3-8)Pub Date: Feb. 21, 2023
ISBN: 978-1-66590-692-0
Page Count: 32
Publisher: Paula Wiseman/Simon & Schuster
Review Posted Online: Nov. 15, 2022
Kirkus Reviews Issue: Dec. 1, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.
A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.
Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)Pub Date: March 16, 2021
ISBN: 978-0-593-12320-1
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
Safe to creep on by.
Carle’s famous caterpillar expresses its love.
In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.
Safe to creep on by. (Picture book. 3-6)Pub Date: Dec. 15, 2015
ISBN: 978-0-448-48932-2
Page Count: 32
Publisher: Grosset & Dunlap
Review Posted Online: Feb. 1, 2021
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BOOK REVIEW
BOOK REVIEW
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