by Annie Watson ; illustrated by Rebecca Evans ‧ RELEASE DATE: June 4, 2019
Children who are learning the meaning of value and numbers will both learn from this book, with its whimsical examples of...
A picture book that accurately depicts how children think about numbers and values in a fun and engaging way.
What is a lot? Joey has many questions about what “a lot” means. “Is 2 a lot?” What about four—or 100? As Joey and his mother drive out of town into fantastical settings from the past and present (“Fasten safety belt before time travel,” reads a road sign), his mother explains that a number of anything can be a lot or not a lot at all. The examples that Joey’s mother gives are humorous (“TWO is not a lot of pennies,” she observes, “but TWO is a lot of smelly skunks") and will make people of all ages laugh as they read this book. Numbers are both written as words and shown numerically to help readers identify the two different systems, making it a great book to add as a supplement to math curricula. Evans’ playful watercolor illustrations encourage engagement. Readers will want to count the number of skunks, cowboys, and other imaginative creatures and objects Joey and his mother discuss throughout the book, and they will enjoy seeing various characters from the places they visit pile into the trunk of the station wagon. Joey and his mom present East Asian, and other humans they meet are diverse.
Children who are learning the meaning of value and numbers will both learn from this book, with its whimsical examples of what “a lot” means, and find much to enjoy. (Picture book. 4-6)Pub Date: June 4, 2019
ISBN: 978-0-88448-715-9
Page Count: 32
Publisher: Tilbury House
Review Posted Online: March 26, 2019
Kirkus Reviews Issue: April 15, 2019
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by Annie Watson ; illustrated by Eric Zelz
by Drew Daywalt ; illustrated by Oliver Jeffers ‧ RELEASE DATE: Dec. 24, 2019
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
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by Drew Daywalt ; illustrated by Lucy Ruth Cummins
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by Drew Daywalt ; illustrated by Oliver Jeffers
BOOK REVIEW
by Drew Daywalt ; illustrated by Oliver Jeffers
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SEEN & HEARD
SEEN & HEARD
by Beth Ferry ; illustrated by The Fan Brothers ‧ RELEASE DATE: Sept. 3, 2019
A welcome addition to autumnal storytelling—and to tales of traditional enemies overcoming their history.
Ferry and the Fans portray a popular seasonal character’s unlikely friendship.
Initially, the protagonist is shown in his solitary world: “Scarecrow stands alone and scares / the fox and deer, / the mice and crows. / It’s all he does. It’s all he knows.” His presence is effective; the animals stay outside the fenced-in fields, but the omniscient narrator laments the character’s lack of friends or places to go. Everything changes when a baby crow falls nearby. Breaking his pole so he can bend, the scarecrow picks it up, placing the creature in the bib of his overalls while singing a lullaby. Both abandon natural tendencies until the crow learns to fly—and thus departs. The aabb rhyme scheme flows reasonably well, propelling the narrative through fall, winter, and spring, when the mature crow returns with a mate to build a nest in the overalls bib that once was his home. The Fan brothers capture the emotional tenor of the seasons and the main character in their panoramic pencil, ballpoint, and digital compositions. Particularly poignant is the close-up of the scarecrow’s burlap face, his stitched mouth and leaf-rimmed head conveying such sadness after his companion goes. Some adults may wonder why the scarecrow seems to have only partial agency, but children will be tuned into the problem, gratified by the resolution.
A welcome addition to autumnal storytelling—and to tales of traditional enemies overcoming their history. (Picture book. 4-6)Pub Date: Sept. 3, 2019
ISBN: 978-0-06-247576-3
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: May 7, 2019
Kirkus Reviews Issue: June 1, 2019
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by Beth Ferry & Tom Lichtenheld ; illustrated by Tom Booth
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by Beth Ferry ; illustrated by Andrew Joyner
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by Beth Ferry ; illustrated by Claire Keane
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