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O

A PRESIDENTIAL NOVEL

So who’s Anonymous? Who cares? O is a worthy read, no matter who the author.

A gossipy, entertaining novel about presidential politics—and if this roman à clef got any more clef, it’d have to be printed on newsprint.

Who is the O of the title? Let’s see: a sitting president who speaks of hope and change, surrounded by Chicagoans, beset by “a disorganized mob of conspiracy nuts, immigrant haters, vengeful Old Testament types, publicity hustlers, and people who just have way too much time on their hands”—to say nothing of a nastily reactionary Republican-dominated House on one side and disappointed progressives on the other. Fill in the blanks on who you think O ought to be; it’s not important, and we might just as well steal a page from Bogart and call him Doghouse O’Reilly. Whatever the case, this worm’s-eye view of extreme politics is a slightly sharper-edged version of The West Wing, dominated by world-weary but once idealistic operatives who dislike being thought of as operatives and who are loyal to a president who’s got just a touch too much on his plate: health care, climate change, war, terrorism and “a big, fat, catastrophic, global recession, courtesy of [O’s] predecessor.” Much of the action centers on wheeler-dealer Cal Regan, who understands politics for the bloodbath it is, though plenty of other people wander by with recognizable name plates (care to guess at the real-world counterpart of Avi Samuelson, “the president’s closest advisor”?). Happily for the nation, things work out OK for most of those concerned—even if O gets dinged up playing hard games of basketball. Did we mention that the president plays basketball? Well, he does, and if that’s not a giveaway... But no matter. It’s a shame that the book is surrounded by the cynical attention-getting ploy of a secret author, who will likely be outed as quickly as was Joe Klein when he published Primary Colors (1996), for the novel stands capably on its own two feet, and it really doesn’t need the extra layer of glitz its handlers layered on. Still, it probably won’t hurt sales.

So who’s Anonymous? Who cares? O is a worthy read, no matter who the author.

Pub Date: Jan. 25, 2011

ISBN: 978-1-4516-2596-7

Page Count: 368

Publisher: Simon & Schuster

Review Posted Online: Jan. 27, 2011

Kirkus Reviews Issue: Feb. 1, 2011

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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