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WILLY AND THE CLOUD

From the Willy the Chimp series

Browne deftly shows that emotions can arrive suddenly and, more importantly, leave again without any reason why.

The latest installment of the Willy the Chimp series is an emotional roller coaster.

Browne continues Willy’s adventures in his familiar artistic style, depicting apes dressed in human clothes in detailed, mixed-media paintings. Dapper protagonist Willy plans an outing in the park. He is clothed in a patterned, multicolor vest, green corduroy trousers, and brown oxfords as he cheerfully strolls across the mostly white page. Alas, a cloud is following him. He can’t seem to shake it. Although everyone else at the park is having “great fun,” he—and he alone—is shadowed by this cloud, which hovers directly over his head. Now glum, Willy gives up and goes home, trailed by the cloud. Browne uses palette and composition to convey mood, isolating Willy uncomfortably beneath the cloud and muting colors. The cloud seems to go away and his mood lifts, but it returns, and now Willy is angry—so angry that he yells and shakes his hand at the murky stormy sky: “I’ve had enough!…Go away!” At that moment, the cloud bursts, leaving Willy so relieved and happy that he strikes a pose reminiscent of Gene Kelly in the film Singin’ in the Rain. The theme is conveyed in a way that is developmentally pitch-perfect for young readers who often have big feelings that no one can just fix.

Browne deftly shows that emotions can arrive suddenly and, more importantly, leave again without any reason why. (Picture book. 3-7)

Pub Date: Nov. 7, 2017

ISBN: 978-0-7636-9498-2

Page Count: 30

Publisher: Candlewick

Review Posted Online: Feb. 2, 2018

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CARPENTER'S HELPER

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.

A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.

Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)

Pub Date: March 16, 2021

ISBN: 978-0-593-12320-1

Page Count: 40

Publisher: Schwartz & Wade/Random

Review Posted Online: Jan. 12, 2021

Kirkus Reviews Issue: Feb. 1, 2021

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  • New York Times Bestseller


  • IndieBound Bestseller


  • Caldecott Honor Book

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CREEPY CARROTS!

Serve this superbly designed title to all who relish slightly scary stories.

Awards & Accolades

Our Verdict

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  • New York Times Bestseller


  • IndieBound Bestseller


  • Caldecott Honor Book

Kids know vegetables can be scary, but rarely are edible roots out to get someone. In this whimsical mock-horror tale, carrots nearly frighten the whiskers off Jasper Rabbit, an interloper at Crackenhopper Field.

Jasper loves carrots, especially those “free for the taking.” He pulls some in the morning, yanks out a few in the afternoon, and comes again at night to rip out more. Reynolds builds delicious suspense with succinct language that allows understatements to be fully exploited in Brown’s hilarious illustrations. The cartoon pictures, executed in pencil and then digitally colored, are in various shades of gray and serve as a perfectly gloomy backdrop for the vegetables’ eerie orange on each page. “Jasper couldn’t get enough carrots … / … until they started following him.” The plot intensifies as Jasper not only begins to hear the veggies nearby, but also begins to see them everywhere. Initially, young readers will wonder if this is all a product of Jasper’s imagination. Was it a few snarling carrots or just some bathing items peeking out from behind the shower curtain? The ending truly satisfies both readers and the book’s characters alike. And a lesson on greed goes down like honey instead of a forkful of spinach.

Serve this superbly designed title to all who relish slightly scary stories. (Picture book. 4-7)

Pub Date: Aug. 21, 2012

ISBN: 978-1-4424-0297-3

Page Count: 40

Publisher: Simon & Schuster

Review Posted Online: May 1, 2012

Kirkus Reviews Issue: Aug. 1, 2012

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