by Anthony DePalma ‧ RELEASE DATE: May 26, 2020
An obvious labor of love, years in the making, featuring meticulous research and an elegant narrative style.
An intimate history of a “social paradise” that has sorely failed its people.
In his latest, DePalma, a former Latin America correspondent for the New York Times and author of The Man Who Invented Fidel (2006), delivers engaging alternating narratives delineating the lives of regular people during two decades of strife and deprivation. The author shares frankly his bias in this work of revelatory personal histories—his Cuban-born wife was spirited away to America in 1960—and through familial testimony and his own observations, he reveals a country in dire economic distress, its original revolutionary mythology in shambles. DePalma maintains a laser focus on a few ordinary Cubans, including Cary, who was born to a Jamaican migrant and went on to study economic engineering in Ukraine in the 1970s. She returned to a series of promotions in the Cuban workforce and started a family in Guanabacoa, a gritty warehouse neighborhood just across the harbor from Old Havana. Cary’s devotion to Fidel Castro’s revolution was unshaken throughout her life, and she was amply rewarded by the government with housing and health care. Yet by 1994, when the Soviet Union’s aid had dissolved and Cuba was undergoing intense economic hardship, street protests, and reckless attempts to flee the island, Cary recognized that “the classless society Fidel promised was a mirage.” Outside of Cary’s family, DePalma tracks Arturo Montoto, an artist who studied in Moscow and elsewhere, returning to Cuba deeply disillusioned and intent on skirting the system his own way; and several survivors of an ill-fated tugboat that was likely rammed by the Cuban coast guard in July 1994, killing more than 40 people (the Cuban government denied responsibility). DePalma’s fictionlike narrative moves thematically (Realization, Reconciliation, etc.), and the author is especially good at revealing the stunning adaptability of a people thwarted at seemingly every turn.
An obvious labor of love, years in the making, featuring meticulous research and an elegant narrative style. (maps)Pub Date: May 26, 2020
ISBN: 978-0-525-52244-7
Page Count: 368
Publisher: Viking
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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by Ta-Nehisi Coates ‧ RELEASE DATE: Oct. 1, 2024
A revelatory meditation on shattering journeys.
Bearing witness to oppression.
Award-winning journalist and MacArthur Fellow Coates probes the narratives that shape our perception of the world through his reports on three journeys: to Dakar, Senegal, the last stop for Black Africans “before the genocide and rebirth of the Middle Passage”; to Chapin, South Carolina, where controversy erupted over a writing teacher’s use of Between the World and Me in class; and to Israel and Palestine, where he spent 10 days in a “Holy Land of barbed wire, settlers, and outrageous guns.” By addressing the essays to students in his writing workshop at Howard University in 2022, Coates makes a literary choice similar to the letter to his son that informed Between the World and Me; as in that book, the choice creates a sense of intimacy between writer and reader. Interweaving autobiography and reportage, Coates examines race, his identity as a Black American, and his role as a public intellectual. In Dakar, he is haunted by ghosts of his ancestors and “the shade of Niggerology,” a pseudoscientific narrative put forth to justify enslavement by portraying Blacks as inferior. In South Carolina, the 22-acre State House grounds, dotted with Confederate statues, continue to impart a narrative of white supremacy. His trip to the Middle East inspires the longest and most impassioned essay: “I don’t think I ever, in my life, felt the glare of racism burn stranger and more intense than in Israel,” he writes. In his complex analysis, he sees the trauma of the Holocaust playing a role in Israel’s tactics in the Middle East: “The wars against the Palestinians and their Arab allies were a kind of theater in which ‘weak Jews’ who went ‘like lambs to slaughter’ were supplanted by Israelis who would ‘fight back.’” Roiled by what he witnessed, Coates feels speechless, unable to adequately convey Palestinians’ agony; their reality “demands new messengers, tasked as we all are, with nothing less than saving the world.”
A revelatory meditation on shattering journeys.Pub Date: Oct. 1, 2024
ISBN: 9780593230381
Page Count: 176
Publisher: One World/Random House
Review Posted Online: Aug. 2, 2024
Kirkus Reviews Issue: Sept. 1, 2024
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by Ta-Nehisi Coates ; illustrated by Jackie Aher
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by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
BOOK REVIEW
by Howard Zinn
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