by Anthony Holden ‧ RELEASE DATE: Nov. 1, 1998
Yet another portrait of the British throne’s much-maligned heir, timed for His Royal Highness’s 50th birthday on November 14, from a top royal biographer who’s the author of several other books on Charles and Diana (Prince Charles, 1979, etc.). While Holden’s new portrait gives precedence to the prince’s private life, readers also get a fair overview of Charles’s various public initiatives, from the supervision of city planners and the founding of the ill-fated Institute of Architecture to his attack on the conventional medical establishment. Despite the author’s dry and often ironic tone, what he reveals about the prince’s endorsement of organic farming, vegetarianism, holistic healing, and environmental protection resonates with numerous concerns relevant for 1990s readers. Holden attributes Charles’s inability to express affection—the trait that was the cause of much pain to his late wife—to a childhood devoid of emotional contact with his parents: The prim and prudish Elizabeth II always valued public duty more than her maternal responsibilities. As a result, in one famous instance, Charles insisted on attending a Royal Opera House concert while his son William underwent surgery; the more motherly Diana kept vigil at the boy’s hospital bedside. Overall, Holden’s criticisms of the British royalty echo the recent mood of British taxpayers, tired of supporting an expensive monarchy that has lost even its symbolic status as the guardian of national moral and religious values. Charles’s adulterous relationship with Camilla Parker Bowles is one focus of the book; so are other royal sex scandals. Without taking sides, Holden portrays Diana sympathetically but also as a manipulator of public opinion and a master of intrigue. He credits the princess, nevertheless, with reforming the now-ever-so-slightly-more-human royal family. Replete with quotes from anonymous confidants and sundry royal “lunch guests,” Holden’s opus will find favor with all lovers of the never-ending Windsor soap opera. (32 pages color and b&w photos) (Radio and TV satellite tour)
Pub Date: Nov. 1, 1998
ISBN: 0-375-50175-4
Page Count: 384
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 1998
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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