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THE ORPHAN

A CINDERELLA STORY FROM GREECE

There can never be too many Cinderellas—well, maybe there can, but definitely make room for this one.

In Greece, it is said that a girl is an orphan when she loses her mother, and that is the only word that names the protagonist in this Cinderella tale.

The cruel stepmother even counts the drops of water the orphan is permitted to drink. The orphan finds poetry and advice in her mother’s voice at her grave, and Mother Nature gives her treasures, including a pair of blue shoes the color of the sea to wear on her tiny feet. When the prince comes to the village church one Sunday, the stepmother and stepsisters dress in all their finery, while the orphan is clothed in Mother Nature’s gifts, with the Evening Star as a wreath on her long black hair. But the orphan must leave as soon as the church service ends. The next week, the prince has honey and wax poured on the church steps, so the orphan leaves a tiny blue shoe stuck there when she runs out. Potter’s watercolors are limpid in color and fervent in line; the sweeping curve of the orphan’s tresses plays as a motif through the images. Text pages are framed in grapevines, and the whole has the feel of folk painting: The Sun, Moon, Dawn and Star are instantly recognizable smiling folk-art figures. Several phrases repeat to keep the rhythm, and it ends, of course, with a wedding and a tantalizing “I was there, I should know.”

There can never be too many Cinderellas—well, maybe there can, but definitely make room for this one. (Picture book/fairy tale. 5-8)

Pub Date: Sept. 27, 2011

ISBN: 978-0-375-86691-3

Page Count: 40

Publisher: Schwartz & Wade/Random

Review Posted Online: June 28, 2011

Kirkus Reviews Issue: July 1, 2011

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GRANDMA'S GIRL

This multigenerational snuggle will encourage the sharing of old memories and the creation of new ones.

Hill and Bobbiesi send a humungous hug from grandmothers to their granddaughters everywhere.

Delicate cartoon art adds details to the rhyming text showing multigenerational commonalities. “You and I are alike in such wonderful ways. / You will see more and more as you grow” (as grandmother and granddaughter enjoy the backyard together); “I wobbled uncertainly just as you did / whenever I tried something new” (as a toddler takes first steps); “And if a bad dream woke me up in the night, / I snuggled up with my lovey too” (grandmother kisses granddaughter, who clutches a plush narwhal). Grandmother-granddaughter pairs share everyday joys like eating ice cream, dancing “in the rain,” and making “up silly games.” Although some activities skew stereotypically feminine (baking, yoga), a grandmother helps with a quintessential volcano experiment (this pair presents black, adding valuable STEM representation), another cheers on a young wheelchair athlete (both present Asian), and a third, wearing a hijab, accompanies her brown-skinned granddaughter on a peace march, as it is “important to speak out for what you believe.” The message of unconditional love is clear throughout: “When you need me, I’ll be there to listen and care. / There is nothing that keeps us apart.” The finished book will include “stationery…for a special letter from Grandma to you!”

This multigenerational snuggle will encourage the sharing of old memories and the creation of new ones. (Picture book. 5-8)

Pub Date: April 7, 2020

ISBN: 978-1-7282-0623-3

Page Count: 40

Publisher: Sourcebooks Wonderland

Review Posted Online: Jan. 20, 2020

Kirkus Reviews Issue: April 1, 2020

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ROBOBABY

A retro-futuristic romp, literally and figuratively screwy.

Robo-parents Diode and Lugnut present daughter Cathode with a new little brother—who requires, unfortunately, some assembly.

Arriving in pieces from some mechanistic version of Ikea, little Flange turns out to be a cute but complicated tyke who immediately falls apart…and then rockets uncontrollably about the room after an overconfident uncle tinkers with his basic design. As a squad of helpline techies and bevies of neighbors bearing sludge cake and like treats roll in, the cluttered and increasingly crowded scene deteriorates into madcap chaos—until at last Cath, with help from Roomba-like robodog Sprocket, stages an intervention by whisking the hapless new arrival off to a backyard workshop for a proper assembly and software update. “You’re such a good big sister!” warbles her frazzled mom. Wiesner’s robots display his characteristic clean lines and even hues but endearingly look like vaguely anthropomorphic piles of random jet-engine parts and old vacuum cleaners loosely connected by joints of armored cable. They roll hither and thither through neatly squared-off panels and pages in infectiously comical dismay. Even the end’s domestic tranquility lasts only until Cathode spots the little box buried in the bigger one’s packing material: “TWINS!” (This book was reviewed digitally with 9-by-22-inch double-page spreads viewed at 52% of actual size.)

A retro-futuristic romp, literally and figuratively screwy. (Picture book. 5-7)

Pub Date: Sept. 1, 2020

ISBN: 978-0-544-98731-9

Page Count: 32

Publisher: Clarion Books

Review Posted Online: June 2, 2020

Kirkus Reviews Issue: June 15, 2020

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