A strong, funny, wrenching series finish.
Brothers with a history of rescuing animals need rescuing themselves.
McGowan pulls his quartet of linked episodes together with a final, brilliant twist in this stand-alone series capper that follows Rook (2024). An easy day hike over a deserted Yorkshire moor in search of larks with Tina, their Jack Russell terrier, turns into a life-or-death struggle for Nicky and his developmentally disabled big brother, Kenny, after a sudden snowstorm drives them off the marked path, and Nicky breaks his leg in a fall. As river waters rise and night and the temperature begin to fall, Nicky forces his reluctant brother to set out for help. As in the previous outings, the close, loving bond between the brothers—one fiercely protective, the other kind and loyal to the core—shines out from Nicky’s simply phrased narrative. The boys demonstrate tender attentions to one another and have hilarious exchanges (such as about the consequences of peeing in freezing temperatures), and Nicky shares distracting yarns about a legendary shape-shifting monster of the moors and the time their dad tried to roast a whole, undressed pheasant. The story follows the boys’ agonizing efforts to move to a safer elevation, the onset of hypothermia, and the arrival of rescue workers, and it concludes with a bittersweet epilogue set 40 years later. Teens will be drawn in by the authentic, atmospheric storytelling in this series, designed to be accessible to reluctant and struggling readers. Main characters are cued white.
A strong, funny, wrenching series finish. (Fiction. 13-18)Pub Date: April 2, 2024
ISBN: 9781454954781
Page Count: 120
Publisher: Union Square & Co.
Review Posted Online: Jan. 5, 2024
Kirkus Reviews Issue: Feb. 1, 2024
PERSPECTIVES
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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