Equal parts horror and hilarity in a rousing aquatic escapade.
Nicky is shocked by something he glimpses in a local pond in this stand-alone follow-up to Brock (2024).
Their dad has a job and a likable new girlfriend, so things are looking up for Kenny, who sustained brain damage at birth, and his fiercely protective younger brother, Nicky. But when the boys go on a fishing expedition to a deep pond near a former meat pie factory, they spot a gold Rolex watch on what looks like an arm floating underwater. Nicky’s aware of how much the money would help the family if only he could recover and sell it. Unfortunately, he also regularly regales his credulous but delighted brother with gruesomely explicit tales of toothy pike that are capable of snatching certain precious body parts away from unwary skinny-dippers, which makes swimming out to investigate sound like a scary proposition even to himself. McGowan adds both a creepy, hooded stranger and a recently vanished local gangster (famous for his flashy Rolex) to the mix and dishes up a pair of wild nocturnal expeditions for the close-knit siblings. Everything culminates in a near-drowning, a successful retrieval of the watch, and (thankfully) a corpse-free explanation for its presence. Better yet, the boys’ father announces that he’s tracked down contact information for their long-departed mother, further lifting the buoyant ending of this engaging, concise, and accessibly written novel. The English cast largely reads white.
Equal parts horror and hilarity in a rousing aquatic escapade. (Fiction. 13-18)Pub Date: April 2, 2024
ISBN: 9781454954798
Page Count: 136
Publisher: Union Square & Co.
Review Posted Online: Jan. 5, 2024
Kirkus Reviews Issue: Feb. 1, 2024
PERSPECTIVES
Riveting, brutal and beautifully told.
A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.
Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.
Riveting, brutal and beautifully told. (Fiction. 14 & up)Pub Date: May 13, 2014
ISBN: 978-0-385-74126-2
Page Count: 240
Publisher: Delacorte
Review Posted Online: March 16, 2014
Kirkus Reviews Issue: April 1, 2014
PROFILES
BOOK TO SCREEN
BOOK TO SCREEN
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
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