by Antje Damm ; illustrated by Antje Damm ; translated by Sally-Ann Spencer ‧ RELEASE DATE: Aug. 1, 2018
A touching, understated story about the transformative power of friendship. (Picture book. 4-8)
In this German import (by way of New Zealand), a lonely, fearful woman named Elise lives alone in her tiny, gray house until a sky-blue paper airplane and a boy named Emil bring changes to her life.
Elise is a middle-aged woman wearing a checked dress and apron, with her hair worn in tightly coiled buns on the sides of her head. She is afraid of everything and never leaves her home. One day a paper airplane floats in through an open window, followed the next day by a little boy looking for his plane. Emil is a friendly child interested in Elise’s full bookshelves, and before long she is reading stories to him, playing hide-and-seek, and fixing him a snack, before sending him home with a hopeful “Bye for now, Emil.” That night Elise works at making her own paper airplane, with a wordless final page showing a smiling Elise with her eyes closed, a completed sky-blue airplane on the table in front of her. The intriguing illustrations are photographs of a 3-D diorama of the home’s interior with flat, cartoon-style cutouts of the two characters, whose skin tones are the white of the artist’s paper. Emil brings light and color into Elise’s world, with the palette changing from grays to brilliant hues.
A touching, understated story about the transformative power of friendship. (Picture book. 4-8)Pub Date: Aug. 1, 2018
ISBN: 978-1-77657-188-8
Page Count: 32
Publisher: Gecko Press
Review Posted Online: June 10, 2018
Kirkus Reviews Issue: July 1, 2018
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by Antje Damm ; illustrated by Antje Damm ; translated by Catherine Chidgey
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Tish Rabe ; illustrated by Sarah Jennings
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by Tish Rabe ; illustrated by Dan Yaccarino
by JaNay Brown-Wood ; illustrated by Hazel Mitchell ‧ RELEASE DATE: Oct. 14, 2014
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child...
Imani endures the insults heaped upon her by the other village children, but she never gives up her dreams.
The Masai girl is tiny compared to the other children, but she is full of imagination and perseverance. Luckily, she has a mother who believes in her and tells her stories that will fuel that imagination. Mama tells her about the moon goddess, Olapa, who wins over the sun god. She tells Imani about Anansi, the trickster spider who vanquishes a larger snake. (Troublingly, the fact that Anansi is a West African figure, not of the Masai, goes unaddressed in both text and author’s note.) Inspired, the tiny girl tries to find new ways to achieve her dream: to touch the moon. One day, after crashing to the ground yet again when her leafy wings fail, she is ready to forget her hopes. That night, she witnesses the adumu, the special warriors’ jumping dance. Imani wakes the next morning, determined to jump to the moon. After jumping all day, she reaches the moon, meets Olapa and receives a special present from the goddess, a small moon rock. Now she becomes the storyteller when she relates her adventure to Mama. The watercolor-and-graphite illustrations have been enhanced digitally, and the night scenes of storytelling and fantasy with their glowing stars and moons have a more powerful impact than the daytime scenes, with their blander colors.
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child to be admired. (Picture book. 5-8)Pub Date: Oct. 14, 2014
ISBN: 978-1-934133-57-6
Page Count: 32
Publisher: Mackinac Island Press
Review Posted Online: July 28, 2014
Kirkus Reviews Issue: Aug. 15, 2014
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by JaNay Brown-Wood ; illustrated by Tamisha Anthony
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by JaNay Brown-Wood ; illustrated by Olivia Amoah
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by JaNay Brown-Wood ; illustrated by John Joven
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