A heartening confirmation of the matchless skill and humanity of one of the true masters.
A welcome gathering of the great storywriter’s atypical longer works, newly translated by the industrious pair who have previously offered fresh versions of Tolstoy, Gogol, and Dostoevsky.
Pevear’s incisive introduction notes the author’s recurring theme of “human insubstantiality” and makes the invaluable point that “The quality of Chekhov’s attention is akin to prayer.” These virtues appear in embryonic form in “The Steppe” (1888), about a nine-year-old boy who’s transported by carriage across Ukraine to boarding-school, educated (as it were) during his journey by encounters with characters who embody a broad spectrum of Russian life. It’s a plotless and episodic masterpiece, enlivened by acute observation, vivid sensory descriptions of climate and landscape, and a compassionate fascination with the variety and vagaries of human imperfection and possibility. Both 1891’s “The Duel” (a jaded egotist and a narrowly focused scientist lock horns and discover through their confrontation the follies of their preconceptions) and “The Story of an Unknown Man” (1892), a curious analysis of the changing psyche of a spy and potential assassin, are less fully achieved. But the emotional odyssey undertaken by Laptev, the hero of “Three Years” (1895), subtly links his romantic attraction to two very different women with the ordeal of his family and class, a mercantile society that fears an apocalyptic future and clings possessively to rapidly vanishing standards and ideals. Even better is “My Life” (1896), a thoughtful rebuke to Tolstoy’s self-righteous doctrine of redemption through physical labor and material sacrifice. But it’s more than this, since it includes a carefully measured dramatization of its well-meaning narrator’s break with his wealthy family’s insularity and pride, of his failed marriage to a woman unsympathetic to his (quite genuine) ideals, and of his paradoxical growth in wisdom and serenity. It’s one of Chekhov’s most openly autobiographical—and greatest—works.
A heartening confirmation of the matchless skill and humanity of one of the true masters.Pub Date: Aug. 16, 2004
ISBN: 1-4000-4049-3
Page Count: 544
Publisher: Everyman’s Library
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2004
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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