A crisp, conversational translation that makes Chekhov’s words sing.
An actor and director delivers a fresh translation of Chekhov’s classic play.
A comedy with its share of tragic elements, Chekhov’s famous drama has been a staple at theaters around the world for over a century. Here, debut translator Korenev presents a new version for English readers meant to capture the poetry and wit of the original. The play follows a group of artists (and would-be artists) and lovers (and would-be lovers) at a Russian country estate. The actress Irina Nikolayevna Arkadina is there with her lover, the famous writer Boris Alexeyevich Trigorin. Irina’s adult son, Konstantin Gavrilovich Treplev, is an aspiring playwright who stages an experimental (if poorly received) work for everyone’s enjoyment. The play stars local girl Nina Zarechnaya, who dreams of one day becoming a famous actress. Konstantin loves Nina; she is infatuated with Trigorin; and a number of other characters pine after one another in myriad combinations. Drama ensues, as it is wont to do. Before long, there are attempted suicides, contemplated duels, and the very strange gift of a dead seagull. Korenev, who was to play Trigorin in a Covid-19–delayed New York production that he was set to direct, translated the drama himself, in part as a way to get into the head of his writerly role. He succeeds in capturing Chekhov’s concise elegance in fresh, accessible English, as here where Trigorin offers Nina his famous musing on the dead seagull: “An idea for the plot of a short story: a young woman, like you, has lived by a lake since she was a child; loves the lake like a seagull, and is happy and free like the seagull. But by chance a man came along, saw her, and, because he had nothing to do, he destroyed her, like that seagull.” Readers will be struck by how contemporary the dialogue sounds, even given its remote setting. This clarity helps make Chekhov’s insight and humor shine all the brighter. Whether readers are familiar with the play or coming to it for the first time, Korenev’s clean and balanced rendering provides a wonderful experience. One hopes he is able to take it to the stage soon.
A crisp, conversational translation that makes Chekhov’s words sing.Pub Date: April 22, 2021
ISBN: 978-1-953608-00-0
Page Count: 158
Publisher: Anton Korenev Entertainment
Review Posted Online: Jan. 29, 2021
Kirkus Reviews Issue: March 15, 2021
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
SEEN & HEARD
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
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