An excellent work of journalism and a strong contribution to the literature of both mental health care and civil rights.
A thoroughgoing, often shocking exposé of segregation in the treatment (or nontreatment) of mental illness.
NBC News reporter Hylton documents the history of Crownsville Hospital in Maryland, founded in 1911 as the Hospital for the Negro Insane. Getting to the story was not easy: The archives were incomplete because “the state had destroyed or lost most of the files preceding the year 1960, and others they had allowed to become contaminated with asbestos.” Unsurprisingly, the more controversial the past episode, such as the murder of a patient or systematic abuse, the likelier the documents were to have disappeared. Even so, in digging into the archives and seeking out those with firsthand or secondhand memories of the place, the author uncovered profoundly unsettling stories. One concerns an educator who, upon entering Crownsville after a case of typhoid fever had affected his mental health, “was just another inmate.” He was also effectively enslaved, and though Maryland was not in the Confederacy, it did permit slavery until 1864. In the Jim Crow era, Crownsville’s population swelled, its inmates growing tobacco and food crops under the supervision of white overseers; inside the walls of Crownsville, whites also governed the lives of Black people who were less treated than incarcerated. “Crownsville’s founding took vestiges of chattel slavery—from the style of the rolls to the financial recordkeeping format used on plantations—and translated them to a clinical setting,” writes Hylton, and the administration of the hospital remained remarkably consistent even after Maryland ordered the desegregation of state mental hospitals in 1962. Meaningfully, Hylton closes by examining the racialized discrepancies in mental health care today as they played out in the New York subway murder of Jordan Neely in 2023.
An excellent work of journalism and a strong contribution to the literature of both mental health care and civil rights.Pub Date: Jan. 23, 2024
ISBN: 9781538723692
Page Count: 368
Publisher: Legacy Lit/Hachette
Review Posted Online: Nov. 18, 2023
Kirkus Reviews Issue: Dec. 15, 2023
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
An ebullient nature lover’s paean to birds.
A charming bird journey with the bestselling author.
In his introduction to Tan’s “nature journal,” David Allen Sibley, the acclaimed ornithologist, nails the spirit of this book: a “collection of delightfully quirky, thoughtful, and personal observations of birds in sketches and words.” For years, Tan has looked out on her California backyard “paradise”—oaks, periwinkle vines, birch, Japanese maple, fuchsia shrubs—observing more than 60 species of birds, and she fashions her findings into delightful and approachable journal excerpts, accompanied by her gorgeous color sketches. As the entries—“a record of my life”—move along, the author becomes more adept at identifying and capturing them with words and pencils. Her first entry is September 16, 2017: Shortly after putting up hummingbird feeders, one of the tiny, delicate creatures landed on her hand and fed. “We have a relationship,” she writes. “I am in love.” By August 2018, her backyard “has become a menagerie of fledglings…all learning to fly.” Day by day, she has continued to learn more about the birds, their activities, and how she should relate to them; she also admits mistakes when they occur. In December 2018, she was excited to observe a Townsend’s Warbler—“Omigod! It’s looking at me. Displeased expression.” Battling pesky squirrels, Tan deployed Hot Pepper Suet to keep them away, and she deterred crows by hanging a fake one upside down. The author also declared war on outdoor cats when she learned they kill more than 1 billion birds per year. In May 2019, she notes that she spends $250 per month on beetle larvae. In June 2019, she confesses “spending more hours a day staring at birds than writing. How can I not?” Her last entry, on December 15, 2022, celebrates when an eating bird pauses, “looks and acknowledges I am there.”
An ebullient nature lover’s paean to birds.Pub Date: April 23, 2024
ISBN: 9780593536131
Page Count: 320
Publisher: Knopf
Review Posted Online: Jan. 19, 2024
Kirkus Reviews Issue: Feb. 15, 2024
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