by Antonio Benítez-Rojo ; translated by Jessica Powell ‧ RELEASE DATE: Sept. 1, 2015
A sweeping, if flawed, historical novel.
The final novel from Cuban writer Benítez-Rojo (1931-2005) is a grand historical work about the kind of woman history often ignores.
As a medical student in 19th-century France, Henriette Faber disguised herself as a man. Eventually, she entered Napoleon’s army as a surgeon. Though she aspired to saving lives, she eventually became a criminal, guilty of perjury, "sexual deviance" (according to the mores of the time, anyway), and plenty more, banned from all other Spanish territories. Benítez-Rojo embodies this woman, a spiritual sister of Defoe’s Moll Flanders. What drove her from potential heroism into destitution? To answer this question, the novel moves from New York to Paris, from New Orleans to Cuba, spanning the globe and including situations of sweeping romance (this is the kind of story Ophüls or Visconti would’ve made a film of in the 1950s) but always remaining anchored to Henriette’s thoughtful first-person narration—sometimes too thoughtful. The prose here is dense and purposefully old-fashioned; it’s the kind of book where sentences begin, “It was said that….” This is a big novel and a slow-going one, measured in its pace even in its more emotional moments. For example, the first section follows Henriette’s marriage to Robert—a relationship that the movie posters would describe as “tumultuous” even though the reader rarely senses Henriette or the author getting worked up; this book is often distant by design. Nevertheless, Benítez-Rojo has a knack for simile—a street “looks like a long black cat," and an unwanted visitor is “like a mortar shell”—and rarely has a historical person been so fully inhabited since Yourcenar told the story of Hadrian. Eventually, the novel morphs into metatext: “I believe that all writing has a utilitarian purpose,” the narrator says, trying to write her story. And often, the matter of embodying another person’s consciousness is useful enough.
A sweeping, if flawed, historical novel.Pub Date: Sept. 1, 2015
ISBN: 978-0-87286-676-8
Page Count: 512
Publisher: City Lights
Review Posted Online: June 14, 2015
Kirkus Reviews Issue: July 1, 2015
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by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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More About This Book
BOOK TO SCREEN
SEEN & HEARD
by Robert Harris ‧ RELEASE DATE: Nov. 22, 2016
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...
Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.
Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: he’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.Pub Date: Nov. 22, 2016
ISBN: 978-0-451-49344-6
Page Count: 304
Publisher: Knopf
Review Posted Online: Sept. 6, 2016
Kirkus Reviews Issue: Sept. 15, 2016
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