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THE MOSCOW RULES

THE SECRET CIA TACTICS THAT HELPED AMERICA WIN THE COLD WAR

Fans of le Carré and other spinners of secret-agent tales will find this of considerable interest.

Two former CIA agents stationed in Moscow reveal the ins and outs of spycraft.

The golden days of the espionage aspect of the Cold War may have been the early 1960s, but the contest was still going strong in the late-’70s, when the Mendezes (Spy Dust, 2002, etc.) were CIA operatives in Moscow. It was a heady and dangerous time, they write, whose closing months, dating into the mid-’80s, were marred by revelations of double agents and the quick dismantling of the CIA’s spy network. “The majority of Soviet citizens working for us,” they write, “had been arrested and executed, most of them betrayed by Americans inside the intelligence community.” But before that, there was a world of spycraft to explore, with elaborate disguises, consultations from magicians who helped construct secret compartments, and all kinds of nifty gadgetry, such as “a contraption that would allow an individual to rapidly rappel down an apartment building and return up the rope using an ascension device, which had fondly been nicknamed the Spiderman.” Cool tools aside, the authors make it clear that espionage is a deadly business, and dealing with nations that are good at it requires a special kind of agent and a flexible protocol (the “Moscow rules” of the title). One evolutionary stage of those rules occurred in the 1960s, when the U.S. and U.K. collaborated to “run” a Soviet agent whose intelligence helped prevent the Cold War from turning hot during the Cuban missile crisis. Another was to bring in technical officers “who would never have feet on the ground in an actual CIA overseas operation,” including scientists, graphic artists, and the like. Much of what the authors describe is the quotidian back and forth of spycraft, boredom punctuated by episodes of real excitement; the narrative has the same choppy feel at times, but reading about prosthetics, cameras hidden in fountain pens, and other such things makes for eye-opening entertainment.

Fans of le Carré and other spinners of secret-agent tales will find this of considerable interest.

Pub Date: May 21, 2019

ISBN: 978-1-5417-6219-0

Page Count: 272

Publisher: PublicAffairs

Review Posted Online: March 30, 2019

Kirkus Reviews Issue: April 15, 2019

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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