Strictly for those who like experimental fiction.
A prolonged tempest in a demitasse in the demimonde of contemporary Lisbon.
Stealing marches on Faulkner and Joyce, Portuguese novelist Antunes (The Inquisitors’ Manual, 2003, etc.) turns in a contemporary gothic tale delivered in stream-of-consciousness prose, or perhaps better, stream-of-consciousnesses. The ostensible narrator, Paulo Antunes Lima, is a soul both tough and sensitive, not quite sure what to make of his own background, with a father who was one of Lisbon’s preeminent drag queens and whose appetites were catholic and many. “When I was little I would settle down outside there near the horses and the sea so the waves would muffle the voices inside the house and thank God that for an hour or two I could forget about them, my father next to the refrigerator with the dwarf from Snow White on top, turning it round and round without looking at it, my mother asking him in a hiss that carried to the pine trees and made me call to them,” Paulo reflects in a Proustian, underpunctuated moment that is, strange to say, one of the narrative’s more accessible, as voices come and go and events get increasingly ugly. Dad—Carlos or Soraia, depending on hour and mood—dies in an episode both ghastly and politically charged. His lover follows, brought down by poor lifestyle choices. And just about everyone else who comes into contact with Lisbon’s uncharted side, with its victims and victimizers, suffers or doles out pain, violence and bullying (“Doesn’t anybody love you, faggot?”). There is little joy in these pages, but plenty of redemption. Reader be warned, however—this most literary of novels requires a great deal of work to suss out the outlines of a story, for if Antunes seems bent on turning in a homegrown version of Joyce, it is the Joyce of Finnegans Wake, and of Faulkner, the Faulkner of As I Lay Dying.
Strictly for those who like experimental fiction.Pub Date: Sept. 1, 2008
ISBN: 978-0-393-32948-3
Page Count: 480
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2008
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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