A sly, supremely stylish entertainment.
A celebrated Spanish author (Sepharad, 2003, etc.) contemplates identity and desire in this smartly amusing novella.
Mario López is not an adventurous man. When he decided to leave the small town of his birth, he moved to the rather poky provincial capital of Jaén, rather than the bustling metropolis of Barcelona. He is a civil servant, not an artist. The only reckless thing he has ever done is fall in love with Blanca. Beautiful, cultured and spirited Blanca is completely out of Mario's league, and the only thing more shocking than his ridiculous proposal of marriage is her acceptance. Their union is far from perfect—Blanca wants many things that Mario has neither the fiscal nor the temperamental resources to give—but Mario remains passionately devoted to his wife until he decides that the woman sharing his home is not Blanca at all but, rather, an impostor. Ultimately incapable of believing that a woman like Blanca could ever be his, Mario convinces himself that she is not, that she has dumped him for another man and left a double in her place. Muñoz Molina's elegantly constructed existential comedy begins with Mario scrutinizing the minuscule mistakes of the false Blanca, and it ends with him surrendering to this woman who may be even more exciting than the original. It is ironic, then, that Blanca is the only character who emerges as real. She's unstable, yes, but authentically and reliably so. The artist-types who populate her romantic history are, on the other hand, spectacular shams, and her friends are outrageously—yet believably—pretentious. Mario, meanwhile, subsumes himself in his effort to keep Blanca happy. He pretends to love sushi and carpaccio. He feigns interest during excruciating conversations with his wife's friends. He uncomplainingly attends such cultural events as a contemporary opera at the “Center for New Theatrical Tendencies.” Ultimately, it is Mario who proves to be the biggest fake of all.
A sly, supremely stylish entertainment.Pub Date: July 10, 2007
ISBN: 978-1-59051-253-1
Page Count: 144
Publisher: Other Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2007
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...
True love flares between two people, but they find that circumstances always impede it.
On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.
Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.Pub Date: Oct. 16, 2018
ISBN: 978-0-525-57468-2
Page Count: 400
Publisher: Crown
Review Posted Online: July 30, 2018
Kirkus Reviews Issue: Aug. 15, 2018
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...
Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.
At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1036-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
SEEN & HEARD
SEEN & HEARD
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
