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KING OF BOLLYWOOD

SHAH RUKH KHAN AND THE SEDUCTIVE WORLD OF INDIAN CINEMA

A neat encapsulation of an amazing career.

The unlikely rise to fame of one of India’s biggest movie stars, contextualized by the evolution of the Bollywood film industry.

After digesting Chopra’s (Dilwale Dulhania Le Jayenge, 2003, etc.) book, few readers will be in doubt that Shah Rukh Khan chose the correct line of work. Khan’s life story is full of all the drama, tragedy and seemingly insurmountable hurdles that populate his movies, and Chopra infuses the pivotal moments of his life with an edge-of-your-seat tension worthy of the best Bollywood blockbusters. Khan began as a disciple of perhaps the most famous of all Bollywood stars, the ruggedly good-looking Amitabh Bachchan. But compared to Bachchan, Khan was a reckless, disheveled rogue whose career choices and lifestyle marked him as a rank outsider. As Chopra chronicles Khan’s improbable rise—first in television, then in film and finally as a jack-of-all-trades entrepreneur—she occasionally dips into wider developments in Indian culture. The Americanization of India is given ample coverage, and Chopra writes at length on how marketing, and branding (one chapter is titled “Brand SRK”), took a stranglehold on both Bollywood and society as a whole. She also looks at how the mob put increasing pressure on Indian businesses through extortion rackets and murder in the late 1990s, eventually infecting Bollywood through the presence of notorious mobster Abu Salem, who practically forced Khan into hiding. This signified the beginning of a bleak period for the actor, as it coincided with various failings in his businesses and in his on-screen career—and the events provide a real cinematic twist, allowing Chopra to muse on her fallen hero’s dark days, which are, of course, tempered by an inevitably triumphant comeback with the movie Devdas. Chopra offers a solid entry-level introduction to both Bollywood and one of its biggest stars. The only flaw is the lack of detailed interview material with its primary subject, but this is nicely counterbalanced by the author’s musings on wider developments in Bollywood.

A neat encapsulation of an amazing career.

Pub Date: Aug. 27, 2007

ISBN: 978-0-446-57858-5

Page Count: 240

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 2007

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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GENGHIS KHAN AND THE MAKING OF THE MODERN WORLD

A horde-pleaser, well-written and full of surprises.

“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”

No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.

A horde-pleaser, well-written and full of surprises.

Pub Date: March 2, 2004

ISBN: 0-609-61062-7

Page Count: 320

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2003

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