A delightful, modern take on an ancient tradition.
A modern family enjoys every part of the Passover festival.
Buying apples and walnuts and more at an outdoor farmers market is already sufficient to make the holiday a success. Adopting a kitten and running home in the gentle rain, making the charoset together, dressing up in special clothes, and going across the way to Nana’s house would also be enough. When they gather with family and friends, presenting the symbolic Seder plate, asking the four questions, eating delicious foods, searching for and finding the hidden matzo, singing and “baa”ing to “Chad Gadya,” and opening the door for Elijah, it is so much more than enough to make a special memory. Wayland employs flowing, descriptive language that sets each scene and captures the essence of the holiday. The text is set in the delightfully named Chaloops typeface, which nicely matches the exuberance of the tale. The expression “Dayenu,” meaning “enough” or “sufficient,” appears in large red letters at the end of each small episode and provides emphasis and continuity. (The cheerful, catchy song of the same name lists the horrific plagues visited on the Egyptians and indicates that the Jews would have been grateful for any one of them if it eased their way out of slavery.) Kath’s fresh, perky watercolors perfectly match the joyous tone of the text.
A delightful, modern take on an ancient tradition. (glossary, author’s note) (Picture book. 3-7)Pub Date: March 15, 2016
ISBN: 978-0-8037-4126-3
Page Count: 40
Publisher: Dial Books
Review Posted Online: Dec. 21, 2015
Kirkus Reviews Issue: Feb. 1, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A forgettable effort that fails to capture any of the magical charm of Santa’s story. (Picture book. 3-6)
Wallace and Elkerton continue their series about catching elusive mythical creatures (How to Catch a Leprechaun, 2016, etc.) with this Christmas story about an elf who must avoid traps constructed by children before Santa’s annual visit.
The unnamed elf narrator is the sole helper traveling with Santa on his delivery rounds on Christmas Eve, with each house featuring a different type of trap for elves. The spunky elf avoids a mechanical “elf snatcher,” hidden in a plate of cookies, as well as simple traps made of tinsel, double-sided tape, and a cardboard box concealing a mean-looking cat. Another trap looks like a bomb hidden in a box of candy, and a complicated trap in a maze has an evil cowboy clown with a branding iron, leading to the elf’s cry, “Hey, you zapped my tushy!” The bomb trap and the branding iron seem to push the envelope of child-made inventions. The final trap is located in a family grocery store that’s booby-trapped with a “Dinner Cannon” shooting out food, including a final pizza that the elf and Santa share. The singsong, rhyming text has a forced cheeriness, full of golly-jolly-holly Christmas spirit and too many exclamation marks, as well as rhyming word pairs that miss the mark. (No, little elf-boy, “smarter” and “harder” do not rhyme.) Bold, busy illustrations in a cartoon style have a cheeky appeal with a focus on the freckle-faced white elf with auburn curls and a costume with a retro vibe. (Santa is also white.)
A forgettable effort that fails to capture any of the magical charm of Santa’s story. (Picture book. 3-6)Pub Date: Oct. 4, 2016
ISBN: 978-1-4926-4631-0
Page Count: 32
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Oct. 11, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.
A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.
Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)Pub Date: March 16, 2021
ISBN: 978-0-593-12320-1
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
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