Rhythm and energy abound as a young girl sings herself a map of her trip to the grocery store and back. Accompanied by an older brother, sent along by her mother to make sure she doesn’t get lost, she proves through her song that she knows the way and can also sing her way back, repeating the refrain, “It’s my city!” in combination with the sights and sounds along the way. “Click, clunk, click, clunk. It’s my city!” Depicted in bold gouache in primary colors, the two pass such landmarks as the laundromat (“Shake, slosh, shake, slosh”), a train (“Rattle, rattle, shake”), and restaurants (“Sputter, sizzle, pip, pop!”), finally arriving back home where they are greeted by a welcome surprise. (The double-paged layout shows their route along the bottom, with a fuller depiction of each stop on the upper two-thirds of the pages.) A coda reprises the theme, “Uptown, downtown, it’s my city! / I can sing it from the end / Or from the start. / Slosh, rattle, click, I know / Squeak, sizzle, tick, / The city / Clank, hip-hop, be-bop, / By heart.” Elementary mapping, finding one’s way, and the mnemonic uses of rhythm and rhyme are all aspects of this gambol to which young children will relate. (Picture book. 5-7)
Pub Date: Aug. 1, 2001
ISBN: 0-688-16915-5
Page Count: 32
Publisher: Greenwillow Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2001
In his third beginning reader about Otto the robot, Milgrim (See Otto, 2002, etc.) introduces another new friend for Otto, a little mouse named Pip. The simple plot involves a large balloon that Otto kindly shares with Pip after the mouse has a rather funny pointing attack. (Pip seems to be in that I-point-and-I-want-it phase common with one-year-olds.) The big purple balloon is large enough to carry Pip up and away over the clouds, until Pip runs into Zee the bee. (“Oops, there goes Pip.”) Otto flies a plane up to rescue Pip (“Hurry, Otto, Hurry”), but they crash (and splash) in front of some hippos with another big balloon, and the story ends as it begins, with a droll “See Pip point.” Milgrim again succeeds in the difficult challenge of creating a real, funny story with just a few simple words. His illustrations utilize lots of motion and basic geometric shapes with heavy black outlines, all against pastel backgrounds with text set in an extra-large typeface. Emergent readers will like the humor in little Pip’s pointed requests, and more engaging adventures for Otto and Pip will be welcome additions to the limited selection of funny stories for children just beginning to read. (Easy reader. 5-7)
Pub Date: March 1, 2003
ISBN: 0-689-85116-2
Page Count: 32
Publisher: Atheneum
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2003
Dedicated “to children everywhere sitting in cardboard boxes,” this elemental debut depicts a bunny with big, looping ears demonstrating to a rather thick, unseen questioner (“Are you still standing around in that box?”) that what might look like an ordinary carton is actually a race car, a mountain, a burning building, a spaceship or anything else the imagination might dream up. Portis pairs each question and increasingly emphatic response with a playscape of Crockett Johnson–style simplicity, digitally drawn with single red and black lines against generally pale color fields. Appropriately bound in brown paper, this makes its profound point more directly than such like-themed tales as Marisabina Russo’s Big Brown Box (2000) or Dana Kessimakis Smith’s Brave Spaceboy (2005). (Picture book. 5-7)
Pub Date: Dec. 1, 2006
ISBN: 0-06-112322-6
Page Count: 32
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2006
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