by April Pulley Sayre & photographed by April Pulley Sayre ‧ RELEASE DATE: June 14, 2011
The staccato rhymes suggest themselves for all sorts of exuberant oration, from simple read-alouds to more orchestrated...
Let’s hear it for the veggies! This cheerful chant pairs pithy couplets with the author’s photographs of farmer’s market beauties.
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The staccato rhymes suggest themselves for all sorts of exuberant oration, from simple read-alouds to more orchestrated pageantry, perhaps involving kids as players. Page turns are cleverly used to add further punch to the rhymes: “Lettuce. Lima. Go, green bean! / Cucumber’s cool. Kohlrabi’s queen!” The photographs, as sturdy and delicious as their subjects, occasionally pull off a visual pun: The aforementioned queenly kohlrabies sport crowns of trimmed stalks that indeed lend a regal air. Photos, bordered with thin white lines in offset rectangles, appear against pages of green, gold, eggplant-purple or tomato-red. (Yup, it’s a fruit, but it makes several honorary appearances.) Crisp white type in the serif font “Calvert” adds the right rah-rah touch. The most pleasing aspect about this crunch-fest for parents and caregivers, arguably, is its happy presumption: What kid wouldn’tlove to both celebrate and chow down on these fresh and fabulous foods? Indeed, Sayre’s appended a page of facts and suggestions and notes that “No vegetables were harmed or mistreated in the making of this book. Most, however, were later eaten.” (Cauliflower pom-poms, anyone?) (Page turns are cleverly used to add further punch to the rhymes: “Lettuce. Lima. Go, green bean! / Cucumber’s cool. Kohlrabi’s queen!” The photographs, as sturdy and delicious as their subjects, occasionally pull off a visual pun: The aforementioned queenly kohlrabies sport crowns of trimmed stalks that indeed lend a regal air. Photos, bordered with thin white lines in offset rectangles, appear against pages of green, gold, eggplant-purple or tomato-red(Yup, it’s a fruit, but it makes several honorary appearances.) Crisp white type in the serif font “Calvert” adds the right rah-rah touch. The most pleasing aspect about this crunch-fest for parents and caregivers, arguably, is its happy presumption: What kid wouldn’t love to both celebrate and chow down on these fresh and fabulous foods? Indeed, Sayre’s appended a page of facts and suggestions and notes that “No vegetables were harmed or mistreated in the making of this book. Most, however, were later eaten.”)Pub Date: June 14, 2011
ISBN: 978-1-4424-2141-7
Page Count: 32
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: May 3, 2011
Kirkus Reviews Issue: May 15, 2011
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by April Pulley Sayre & Jeff Sayre ; illustrated by Juliet Menéndez
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by April Pulley Sayre with Jeff Sayre ; photographed by April Pulley Sayre & Jeff Sayre
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by April Pulley Sayre ; photographed by April Pulley Sayre
by William Boniface ; illustrated by Julien Chung ‧ RELEASE DATE: Oct. 1, 2024
A successful swap from coconut tree to Christmas tree.
A Christmas edition of the beloved alphabet book.
The story starts off nearly identically to Chicka Chicka Boom Boom (1989), written by John Archambault and the late Bill Martin Jr, with the letters A, B, and C deciding to meet in the branches of a tree. This time, they’re attempting to scale a Christmas tree, not a coconut tree, and the letters are strung together like garland. A, B, and C are joined by the other letters, and of course they all “slip, slop, topple, plop!” right down the tree. At the bottom, they discover an assortment of gifts, all in a variety of shapes. As a team, the letters and presents organize themselves to get back up on the Christmas tree and get a star to the top. Holiday iterations of favorite tales often fall flat, but this take succeeds. The gifts are an easy way to reinforce another preschool concept—shapes—and the text uses just enough of the original to be familiar. The rhyming works, sticking to the cadence of the source material. The illustrations pay homage to the late Lois Ehlert’s, featuring the same bold block letters, though they lack some of the whimsy and personality of the original. Otherwise, everything is similarly brightly colored and simply drawn. Those familiar with the classic will be drawn to this one, but newcomers can enjoy it on its own.
A successful swap from coconut tree to Christmas tree. (Picture book. 3-5)Pub Date: Oct. 1, 2024
ISBN: 9781665954761
Page Count: 40
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: July 4, 2024
Kirkus Reviews Issue: Aug. 1, 2024
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Tish Rabe ; illustrated by Sarah Jennings
BOOK REVIEW
by Tish Rabe ; illustrated by Dan Yaccarino
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