Oblivious to the rambunctious antics of Finney, Fergus, Franny and Fiona, when Mrs. Finnemore finally loads her ferret...
Edwin’s mother is the epitome of 1950s femininity—smartly dressed, elegantly coiffed and preoccupied with adult concerns throughout this entertaining supermarket romp.
Oblivious to the rambunctious antics of Finney, Fergus, Franny and Fiona, when Mrs. Finnemore finally loads her ferret family into her sleek, powder-blue Chrysler (with anachronistic seatbelts and a car seat), she also misses the meaning of Baby Edwin’s earnest babble. Therein lies the satisfaction for those who do attend to his speech bubbles. Had his mother been concentrating, she, too, would have realized that “Gloo poop SHOE noogie froo KEY” meant the car keys were in her son’s shoe or that “Gimpin chalk lil wiz um SWEETIN’ do a bye bye,” combined with Edwin’s endearingly outstretched arms, signaled that the sugar she was purchasing for his birthday cake was disappearing in someone else’s cart. Blackall’s highly patterned watercolor, gouache and ink scenes, infused with pink and turquoise, contrast with the white balloons surrounding his words—a choice that focuses attention. Stevens' inclusion of potty words in the phrases will add to young listeners' surprise and delight. They will cheer Edwin on as he patiently takes matters into his own hands, occasionally glancing winsomely at his audience, even as his mother wonders when he will begin talking.Pub Date: June 14, 2011
ISBN: 978-0-375-85337-1
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: April 18, 2011
Kirkus Reviews Issue: May 1, 2011
BOOK REVIEW
BOOK REVIEW
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
BOOK REVIEW
BOOK REVIEW
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
BOOK REVIEW
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