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APRIL WILSON'S MAGPIE MAGIC

A TALE OF COLORFUL MISCHIEF

Deliberately constructed, Wilson’s wordless picture book makes an adroit and whimsical artistic statement and invites audience participation. On the title page, a child’s hands reach toward a bundle of colored pencils dangling from a branch; the pencils are in bright colors but everything else is sketched in black and white. In careful detail, the child draws a magpie seen on a branch outside the window (perhaps the same branch where the pencils were hung) and when the drawing is completed, the bird flies away from the paper. The child draws cherries, shimmering red on the page, and the bird eats them; the child draws an orange balloon, which the bird pops. Things get a little dangerous when the bird grabs a piece of yellow that sets the page afire and then scribbles blue water that makes a mess. Drawings and events co-determine each other: the child has cages the magpie, the bird grabs the eraser through the bars and escapes the cage, and so it goes, to a last laugh when a claw seizes the pencils and makes a brilliant rainbow of feathers. The only words are the names of the colors, appearing at the end. The realistic drawing style and the use of saturated color on an otherwise black-and-white page are an arresting combination. (Picture book. 3-7)

Pub Date: March 1, 1999

ISBN: 0-8037-2354-7

Page Count: 40

Publisher: Dial Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 1999

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GUESS WHOSE SHADOW?

Swinburne sets out to teach young children about how shadows are created, describing night as a shadow on the earth, and giving children tangible reasons for why shadows vary in size, shape, and location. The latter half of the book invites readers to guess the origins of the shadows in vivid full-color photographs; subsequent pages provide the answers to the mysteries. A foreword contains information regarding the scientific reasons for shadows, which can be explained to small children, but it is the array of photographs that truly invites youngsters to take a closer look and analyze the world around them with an eye for the details. (Picture book/nonfiction. 3-5).

Pub Date: Feb. 1, 1999

ISBN: 1-56397-724-9

Page Count: 32

Publisher: Boyds Mills

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 1999

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SMILE IF YOU'RE HUMAN

Layton’s zany alien family comes to Earth in search of humans, but with only guidebook descriptions of what people look like, it’s easy to make mistakes—especially when their flying saucer lands at the zoo! “They don’t have tails and they mostly stand on two feet,” reads the father, effectively ruling out kangaroos and tigers as potential people. The smallest alien is anxious to snap a picture of penguins, but it turns out they aren’t human—people don’t have wings. After searching the “entire planet” (that is, within the confines of the zoo walls), the aliens finally do find a creature to match their guidebook’s description perfectly, and to make Darwin smile. The goofy illustrations deploy a childlike sense of fun; the aliens are pleasant creatures with round patchwork bodies and eyes on stalks, and the gregarious zoo animals will ring true for the animal cracker set. (Picture book. 3-7)

Pub Date: March 1, 1999

ISBN: 0-8037-2381-4

Page Count: 32

Publisher: Dial Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1999

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